"The past is the beginning of the beginning and all that is and has been is but the twilight of the dawn"
About this Quote
Wells turns time into a provocation: stop treating history like a museum and start treating it like a runway. “The past is the beginning of the beginning” is a deliberately doubled phrase, a verbal stutter that refuses closure. It denies the comforting idea that we’ve already lived through the main act. Everything we call “civilization,” in this framing, is still stuck in the prologue.
The second half sharpens the blade. If “all that is and has been” is only “the twilight of the dawn,” then even our proudest achievements are cast as half-light, not noon. Wells borrows the romance of sunrise imagery but flips its emotional payload: twilight usually implies decline, yet he welds it to “dawn,” turning nostalgia into an engine for impatience. The subtext is not gentle optimism; it’s a rebuke to complacency. Your era feels modern because you’re inside it, but from a longer view it’s barely daybreak.
Context matters. Wells wrote as a futurist before the word had a mainstream sheen: a Victorian-Edwardian novelist watching industrial acceleration, mass politics, and scientific upheaval redraw what humans could do to each other and to the planet. That tension animates the line. It’s progress-talk with teeth, meant to expand the reader’s sense of responsibility. If we’re only at the “beginning,” then the future is not fate or fantasy - it’s a job, and the stakes are civilizational.
The second half sharpens the blade. If “all that is and has been” is only “the twilight of the dawn,” then even our proudest achievements are cast as half-light, not noon. Wells borrows the romance of sunrise imagery but flips its emotional payload: twilight usually implies decline, yet he welds it to “dawn,” turning nostalgia into an engine for impatience. The subtext is not gentle optimism; it’s a rebuke to complacency. Your era feels modern because you’re inside it, but from a longer view it’s barely daybreak.
Context matters. Wells wrote as a futurist before the word had a mainstream sheen: a Victorian-Edwardian novelist watching industrial acceleration, mass politics, and scientific upheaval redraw what humans could do to each other and to the planet. That tension animates the line. It’s progress-talk with teeth, meant to expand the reader’s sense of responsibility. If we’re only at the “beginning,” then the future is not fate or fantasy - it’s a job, and the stakes are civilizational.
Quote Details
| Topic | New Beginnings |
|---|---|
| Source | Help us find the source |
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