"The pretended physical philosophy of modern days strips Man of all his moral attributes, or holds them of no account in the estimate of his origin and place in the created world"
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Sedgwick’s phrasing is a velvet-gloved alarm bell: “pretended” is doing the dirty work of discrediting an entire intellectual movement without naming it outright. As a geologist and Anglican cleric writing in the long shadow of early evolutionary speculation, he’s not merely disputing a scientific claim; he’s policing the border between explanation and meaning. “Physical philosophy” was the respectable label for what we’d call science, but Sedgwick frames the modern version as a counterfeit that commits a category error: it takes tools built to describe matter and uses them to judge man’s “origin and place in the created world.”
The key move is moral. He argues that reductionist accounts don’t just leave morality out; they actively “strip” it away, as if ethics were clothing and the scientist a thief. That verb turns an epistemological disagreement into a cultural injury. The subtext is that a purely naturalistic origin story threatens social order by unhooking responsibility from design: if humans are explained like rocks, then conscience becomes incidental, and duty becomes negotiable.
Sedgwick’s anxiety also reveals a transitional moment in Victorian thought. Geology had already stretched biblical time; Darwin would soon stretch human exceptionalism. Sedgwick is trying to salvage a hierarchy where facts can be modern, but man must remain metaphysically special. The sentence’s cadence mirrors that defensive posture: “strips... or holds... of no account” piles up charges, less a calm critique than an attempt to shame “modern days” back into deference. It’s science arguing with itself, but over who gets to define what a human being is for.
The key move is moral. He argues that reductionist accounts don’t just leave morality out; they actively “strip” it away, as if ethics were clothing and the scientist a thief. That verb turns an epistemological disagreement into a cultural injury. The subtext is that a purely naturalistic origin story threatens social order by unhooking responsibility from design: if humans are explained like rocks, then conscience becomes incidental, and duty becomes negotiable.
Sedgwick’s anxiety also reveals a transitional moment in Victorian thought. Geology had already stretched biblical time; Darwin would soon stretch human exceptionalism. Sedgwick is trying to salvage a hierarchy where facts can be modern, but man must remain metaphysically special. The sentence’s cadence mirrors that defensive posture: “strips... or holds... of no account” piles up charges, less a calm critique than an attempt to shame “modern days” back into deference. It’s science arguing with itself, but over who gets to define what a human being is for.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
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