"The public is usually slow to catch on to new things, and it's important that musicians stick to their guns and not look for that instant gratification"
About this Quote
There is a hard-earned contempt hiding in Greg Ginn's calm phrasing: "the public" isn't a muse, it's a lagging indicator. Coming from a musician who helped steer Black Flag through hostility, confusion, and outright moral panic, the line reads like a field manual from the American underground. The intent is practical, not poetic: if you let the crowd set your tempo, you'll only ever play catch-up to yesterday's tastes.
The subtext is a warning about how innovation actually lands. New sounds rarely arrive as "great" to most listeners; they arrive as wrong. Ginn frames that delay as normal, even predictable, which quietly absolves the artist of the need to persuade. Your job isn't to be instantly understood; it's to keep making the thing until the culture's ears recalibrate, or until a smaller, truer audience finds you.
"Stick to their guns" is tellingly martial, echoing punk's siege mentality: labels, venues, radio, and critics as adversaries, not partners. It's also a rejection of the dopamine economy before we had language for it. "Instant gratification" isn't just chart success; it's the constant micro-validation that tempts musicians to sand down edges, chase scenes, or optimize for attention rather than impact.
In a moment when algorithms reward familiarity and punish risk, Ginn's advice feels almost contrarian self-care. He's arguing that patience isn't passive; it's an artistic strategy. If you want to change the room, you have to be willing to play to a room that doesn't know it's going to change yet.
The subtext is a warning about how innovation actually lands. New sounds rarely arrive as "great" to most listeners; they arrive as wrong. Ginn frames that delay as normal, even predictable, which quietly absolves the artist of the need to persuade. Your job isn't to be instantly understood; it's to keep making the thing until the culture's ears recalibrate, or until a smaller, truer audience finds you.
"Stick to their guns" is tellingly martial, echoing punk's siege mentality: labels, venues, radio, and critics as adversaries, not partners. It's also a rejection of the dopamine economy before we had language for it. "Instant gratification" isn't just chart success; it's the constant micro-validation that tempts musicians to sand down edges, chase scenes, or optimize for attention rather than impact.
In a moment when algorithms reward familiarity and punish risk, Ginn's advice feels almost contrarian self-care. He's arguing that patience isn't passive; it's an artistic strategy. If you want to change the room, you have to be willing to play to a room that doesn't know it's going to change yet.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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