"The pull, the attraction of history, is in our human nature. What makes us tick? Why do we do what we do? How much is luck the deciding factor?"
About this Quote
McCullough makes history sound less like a discipline and more like an itch you can’t stop scratching. He doesn’t start with empires or dates; he starts with the engine underneath them: human behavior. “The pull” and “the attraction” frame the past as a force, not a syllabus. History isn’t important because it’s noble. It’s compelling because it’s nosy. It lets us peer into motive, fear, pride, and self-justification - the same messy wiring we recognize in ourselves.
The three questions do careful rhetorical work. “What makes us tick?” is deliberately plainspoken, almost mechanical. It lowers the stakes in order to raise them: if people are mechanisms, then the historian’s job is to open the casing and show the gears, not to deliver moral verdicts. “Why do we do what we do?” shifts from curiosity to accountability; it invites explanation over celebration, a hallmark of McCullough’s narrative style, which treats ordinary decision-making as the real driver of “great events.”
Then he slips in the destabilizer: luck. Asking “How much is luck the deciding factor?” is a quiet rebuke to hero worship and deterministic stories. It suggests that history is not just character plus conviction; it’s timing, contingency, weather, illness, a missed message - the stray variables that make neat narratives feel dishonest. In the context of McCullough’s career, it’s also a defense of popular history at its best: storytelling that doesn’t simplify, but humanizes, without pretending the past was inevitable.
The three questions do careful rhetorical work. “What makes us tick?” is deliberately plainspoken, almost mechanical. It lowers the stakes in order to raise them: if people are mechanisms, then the historian’s job is to open the casing and show the gears, not to deliver moral verdicts. “Why do we do what we do?” shifts from curiosity to accountability; it invites explanation over celebration, a hallmark of McCullough’s narrative style, which treats ordinary decision-making as the real driver of “great events.”
Then he slips in the destabilizer: luck. Asking “How much is luck the deciding factor?” is a quiet rebuke to hero worship and deterministic stories. It suggests that history is not just character plus conviction; it’s timing, contingency, weather, illness, a missed message - the stray variables that make neat narratives feel dishonest. In the context of McCullough’s career, it’s also a defense of popular history at its best: storytelling that doesn’t simplify, but humanizes, without pretending the past was inevitable.
Quote Details
| Topic | Free Will & Fate |
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