"The quality of the writing, really. Simple as that. Beautiful words. It's very nice as a singer to do great songs, which have wonderful lyrics and strong feelings underneath the song"
About this Quote
Ferry’s telling you what he’s always sold: sophistication that doesn’t need to shout. “The quality of the writing, really. Simple as that” plays like a shrug, but it’s a manifesto disguised as modesty. In an era when pop stardom is often framed as charisma, image, and production tricks, he quietly relocates the prestige back to the page. Not the hook, not the vocal fireworks - the writing. The line smuggles in a hierarchy: songs aren’t just performances, they’re literature you can dance to.
The phrase “beautiful words” is doing double duty. It’s admiration, sure, but it’s also brand defense. Ferry came up in a tradition where the singer is a curator of taste, choosing material that flatters a persona. He’s not claiming the raw authenticity of the confessional songwriter; he’s describing the pleasure of inhabiting well-made language. That “very nice as a singer” is telling: the singer is an interpreter, an actor with melody, and the script matters.
Then he adds the real engine: “strong feelings underneath the song.” Underneath implies restraint, a controlled surface with heat below it. That’s classic Ferry - elegance as a delivery system for desire, regret, menace, longing. The subtext is that great songwriting doesn’t bleed on contact; it seduces. It gives the audience something to feel without forcing them to feel it on cue, and it gives the performer room to suggest rather than confess.
The phrase “beautiful words” is doing double duty. It’s admiration, sure, but it’s also brand defense. Ferry came up in a tradition where the singer is a curator of taste, choosing material that flatters a persona. He’s not claiming the raw authenticity of the confessional songwriter; he’s describing the pleasure of inhabiting well-made language. That “very nice as a singer” is telling: the singer is an interpreter, an actor with melody, and the script matters.
Then he adds the real engine: “strong feelings underneath the song.” Underneath implies restraint, a controlled surface with heat below it. That’s classic Ferry - elegance as a delivery system for desire, regret, menace, longing. The subtext is that great songwriting doesn’t bleed on contact; it seduces. It gives the audience something to feel without forcing them to feel it on cue, and it gives the performer room to suggest rather than confess.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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