"The question of sexual dominance can exist only in the nightmare of that soul which has armed itself, totally, against the possibility of the changing motion of conquest and surrender, which is love"
About this Quote
Baldwin turns “sexual dominance” into a diagnostic: not a kink, not even a social script, but a symptom of psychic self-defense. The line is built like an indictment. Dominance doesn’t merely happen; it “can exist only” in a “nightmare” soul - a mind so frightened of vulnerability that it converts intimacy into a battlefield. Baldwin’s verb choice, “armed,” matters: he’s describing militarized desire, sex as fortification against being moved, changed, undone by another person.
The subtext is Baldwin’s lifelong argument that power is often a substitute for feeling. If love is “the changing motion of conquest and surrender,” then real intimacy is dynamic, reciprocal, and humiliating in the best sense: you don’t get to stay sovereign. Baldwin refuses the macho fantasy that conquest is a stable identity. In love, you are sometimes the conqueror, sometimes the conquered, and the point is that neither role is permanent. To resist that flux is to insist on control at any cost - to demand a hierarchy where there should be mutual risk.
Contextually, Baldwin is writing out of a mid-century America obsessed with dominance: white over Black, straight over queer, man over woman, nation over nation. He sees the same terror underpinning all of it: the fear that if you yield, you vanish. The sentence performs its own “changing motion,” yoking violence (“armed,” “dominance”) to tenderness (“surrender,” “love”), forcing the reader to feel how quickly one becomes the other when the self is too afraid to be transformed.
The subtext is Baldwin’s lifelong argument that power is often a substitute for feeling. If love is “the changing motion of conquest and surrender,” then real intimacy is dynamic, reciprocal, and humiliating in the best sense: you don’t get to stay sovereign. Baldwin refuses the macho fantasy that conquest is a stable identity. In love, you are sometimes the conqueror, sometimes the conquered, and the point is that neither role is permanent. To resist that flux is to insist on control at any cost - to demand a hierarchy where there should be mutual risk.
Contextually, Baldwin is writing out of a mid-century America obsessed with dominance: white over Black, straight over queer, man over woman, nation over nation. He sees the same terror underpinning all of it: the fear that if you yield, you vanish. The sentence performs its own “changing motion,” yoking violence (“armed,” “dominance”) to tenderness (“surrender,” “love”), forcing the reader to feel how quickly one becomes the other when the self is too afraid to be transformed.
Quote Details
| Topic | Love |
|---|---|
| Source | Help us find the source |
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