"The relationship with a live audience seems to me to count for more"
About this Quote
Cusack came up in a 20th-century entertainment world that increasingly rewarded screen work: film, then television, then the logic of mass distribution. Stage acting, by contrast, is stubbornly local and perishable. Every night is a new negotiation with strangers who can drift, resist, lean in, or turn cold. That risk is the point. A live audience doesn’t just receive the performance; it presses back on it, forcing the actor into a heightened alertness that cameras, multiple takes, and post-production can cushion.
The subtext is a critique of mediated culture without ever sounding like a scold. Screen acting can be brilliant, but it often relocates the “moment” to the cutting room or the viewer’s private space. Cusack is defending the older, harsher economy: you earn attention in real time, and you can lose it just as fast. Counting “for more” isn’t nostalgia; it’s an argument that the most honest feedback loop in acting is also the most unforgiving.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Cusack, Cyril. (2026, January 16). The relationship with a live audience seems to me to count for more. FixQuotes. https://fixquotes.com/quotes/the-relationship-with-a-live-audience-seems-to-me-124017/
Chicago Style
Cusack, Cyril. "The relationship with a live audience seems to me to count for more." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/the-relationship-with-a-live-audience-seems-to-me-124017/.
MLA Style (9th ed.)
"The relationship with a live audience seems to me to count for more." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/the-relationship-with-a-live-audience-seems-to-me-124017/. Accessed 7 Feb. 2026.




