"The results of political changes are hardly ever those which their friends hope or their foes fear"
About this Quote
Political revolutions rarely cash the checks written by political rhetoric. Huxley’s line has the cool, clinical bite of a scientist watching ideologues mistake wishful thinking for causality. Friends of a reform imagine clean arcs: topple a law, install a leader, pass a bill, and history obediently turns the corner. Foes, meanwhile, project apocalypse: one concession and society unravels. Huxley punctures both fantasies with the same pin. Politics, he implies, is a complex system, not a lever.
The intent isn’t cynicism for its own sake; it’s a warning about overconfident prediction. Coming from a Victorian-era defender of Darwin and a public combatant against received authority, Huxley understood how “change” gets mythologized. Scientific thinking had begun to reframe nature as evolutionary, emergent, and stubbornly nonlinear. He smuggles that worldview into politics: outcomes aren’t the product of purity or villainy, but of feedback loops, unintended consequences, and institutional inertia.
The subtext also takes aim at moral melodrama. “Friends” and “foes” are mirror images, each emotionally invested in exaggerating what’s at stake. The sentence refuses to flatter either camp; it strips politics of its comforting storyline where good people achieve good outcomes and bad people prevent them. That’s why it still lands today, in an age of viral certainty and apocalyptic fundraising emails. Huxley’s point isn’t that change is futile. It’s that history is allergic to your script.
The intent isn’t cynicism for its own sake; it’s a warning about overconfident prediction. Coming from a Victorian-era defender of Darwin and a public combatant against received authority, Huxley understood how “change” gets mythologized. Scientific thinking had begun to reframe nature as evolutionary, emergent, and stubbornly nonlinear. He smuggles that worldview into politics: outcomes aren’t the product of purity or villainy, but of feedback loops, unintended consequences, and institutional inertia.
The subtext also takes aim at moral melodrama. “Friends” and “foes” are mirror images, each emotionally invested in exaggerating what’s at stake. The sentence refuses to flatter either camp; it strips politics of its comforting storyline where good people achieve good outcomes and bad people prevent them. That’s why it still lands today, in an age of viral certainty and apocalyptic fundraising emails. Huxley’s point isn’t that change is futile. It’s that history is allergic to your script.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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