"The rivalry is with ourself. I try to be better than is possible. I fight against myself, not against the other"
About this Quote
Pavarotti turns competition into a private, almost monastic ritual: the real opponent isn’t the tenor in the next dressing room, it’s the version of you that could get lazy, satisfied, or merely “good enough.” Coming from a singer who became a global celebrity, the line reads like a refusal to let fame rewrite the job description. Opera invites scoreboard thinking - high notes nailed, ovations counted, reviews weaponized. Pavarotti sidesteps that whole economy by relocating the stakes inward, where applause can’t be used as evidence and rivals can’t be blamed for an off night.
“I try to be better than is possible” is the tell. It’s not humblebrag modesty; it’s an ethos of asymptote. You chase an ideal you never reach, because the pursuit is what keeps the instrument honest. In vocal performance, the body is the instrument, and the body is moody: sleep, stress, age, and ego all show up in the sound. Fighting yourself means fighting the temptations that are uniquely available to a superstar - coasting on a signature role, repeating the same gestures because audiences already love them, turning art into brand maintenance.
The subtext is also surprisingly generous. If the rivalry is internal, other singers aren’t threats; they’re colleagues. That posture fits Pavarotti’s public image as a populist ambassador for opera: less gatekeeper, more evangelist. He’s selling a demanding idea with an inviting tone: greatness isn’t a blood sport, it’s disciplined self-interrogation, performed one breath at a time.
“I try to be better than is possible” is the tell. It’s not humblebrag modesty; it’s an ethos of asymptote. You chase an ideal you never reach, because the pursuit is what keeps the instrument honest. In vocal performance, the body is the instrument, and the body is moody: sleep, stress, age, and ego all show up in the sound. Fighting yourself means fighting the temptations that are uniquely available to a superstar - coasting on a signature role, repeating the same gestures because audiences already love them, turning art into brand maintenance.
The subtext is also surprisingly generous. If the rivalry is internal, other singers aren’t threats; they’re colleagues. That posture fits Pavarotti’s public image as a populist ambassador for opera: less gatekeeper, more evangelist. He’s selling a demanding idea with an inviting tone: greatness isn’t a blood sport, it’s disciplined self-interrogation, performed one breath at a time.
Quote Details
| Topic | Self-Improvement |
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