"The sad events that occur in my life are the sad events that happen to everybody, with losing friends and family, but that is a natural occurrence, as natural as being born"
About this Quote
Aragones frames grief with the same deadpan clarity he brings to a silent gag: no melodrama, no special pleading, just the blunt mechanics of being alive. The line does something quietly radical in a culture that treats personal pain as either content or catastrophe. He insists on ordinariness. Losing friends and family is not a plot twist; it is the baseline, as expected as birth. That comparison is intentionally austere. Birth is celebrated, ritualized, narrated as destiny. Death, even when common, is treated as an interruption. Aragones collapses that hierarchy.
The subtext reads like an artist refusing the romance of suffering. Cartoonists are often expected to be either eternally buoyant or secretly broken; Aragones rejects both scripts. His phrasing, almost conversational and slightly repetitive, mimics everyday speech, which matters: it’s a way of keeping grief in the realm of the human rather than the performative. There’s also a pragmatic immigrant-era sensibility here (he was born in Spain in 1937, a year stamped by war): life arrives with loss baked in, and you keep moving. Not stoicism as pose, but as survival strategy.
Contextually, it lands as a defense of perspective. By calling death “natural,” he’s not minimizing pain; he’s denying it the power to confer uniqueness or entitlement. It’s a leveling statement, almost democratic: everybody gets the same contract. In that flattening, there’s a tough kind of comfort, and a cartoonist’s instinct for puncturing inflated narratives.
The subtext reads like an artist refusing the romance of suffering. Cartoonists are often expected to be either eternally buoyant or secretly broken; Aragones rejects both scripts. His phrasing, almost conversational and slightly repetitive, mimics everyday speech, which matters: it’s a way of keeping grief in the realm of the human rather than the performative. There’s also a pragmatic immigrant-era sensibility here (he was born in Spain in 1937, a year stamped by war): life arrives with loss baked in, and you keep moving. Not stoicism as pose, but as survival strategy.
Contextually, it lands as a defense of perspective. By calling death “natural,” he’s not minimizing pain; he’s denying it the power to confer uniqueness or entitlement. It’s a leveling statement, almost democratic: everybody gets the same contract. In that flattening, there’s a tough kind of comfort, and a cartoonist’s instinct for puncturing inflated narratives.
Quote Details
| Topic | Sadness |
|---|---|
| Source | Help us find the source |
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