"The seasons come up undisturbed by crime and war"
About this Quote
There is something almost audacious in the calm of this line: nature keeps its appointments while humans busy themselves with catastrophe. As a clergyman writing in the long, uneasy shadow of 19th-century upheaval, George A. Smith isn’t merely admiring springtime. He’s asserting a moral cosmology in which the world’s deepest rhythms are not hostage to headlines. Crime and war may dominate attention, but they don’t get veto power over creation.
The intent feels pastoral and corrective. Smith offers a counterweight to panic and vengeance: a reminder that existence isn’t defined by the worst things people do. The seasons are his quiet evidence of providence, a standing rebuttal to the idea that history is only chaos. It’s also a subtle rebuke to human self-importance. Empires rise, battles rage, scandals bloom; the earth keeps tilting, days keep lengthening, harvests return. The phrase “undisturbed” carries a pointed edge, implying that our grand dramas are, from a cosmic perspective, local noise.
The subtext, though, isn’t naive optimism. It’s discipline: notice what persists. For a religious audience, that persistence can read as God’s steady governance; for a secular one, it still lands as an argument for scale and endurance. In a century when newspapers helped mass-produce anxiety, Smith is prescribing attention as a spiritual practice. Look up, he’s saying, not to escape responsibility, but to remember that despair is not the only narrative available.
The intent feels pastoral and corrective. Smith offers a counterweight to panic and vengeance: a reminder that existence isn’t defined by the worst things people do. The seasons are his quiet evidence of providence, a standing rebuttal to the idea that history is only chaos. It’s also a subtle rebuke to human self-importance. Empires rise, battles rage, scandals bloom; the earth keeps tilting, days keep lengthening, harvests return. The phrase “undisturbed” carries a pointed edge, implying that our grand dramas are, from a cosmic perspective, local noise.
The subtext, though, isn’t naive optimism. It’s discipline: notice what persists. For a religious audience, that persistence can read as God’s steady governance; for a secular one, it still lands as an argument for scale and endurance. In a century when newspapers helped mass-produce anxiety, Smith is prescribing attention as a spiritual practice. Look up, he’s saying, not to escape responsibility, but to remember that despair is not the only narrative available.
Quote Details
| Topic | Nature |
|---|---|
| Source | Help us find the source |
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