"The show did go on, but came very close to not going on at all"
About this Quote
Broadway runs on the myth of inevitability: the curtain rises, the lights hit, the audience forgets whatever chaos happened at half hour. Chita Rivera’s line punctures that myth with a performer’s dry honesty. “The show did go on” nods to the famous mantra, but the second clause - “came very close to not going on at all” - drags the slogan back down to the scuffed stage floor where bodies, budgets, and luck actually live.
Rivera isn’t merely recounting a near-miss; she’s asserting the invisible labor that makes theatrical resilience feel effortless. The phrasing is calibrated: “did go on” sounds almost stubborn, like a muscle memory kicking in, while “very close” admits fragility without indulging melodrama. It’s a veteran’s flex, but not the chest-thumping kind. More like: you have no idea how thin the margin is between magic and cancellation.
The subtext carries a whole ecosystem: injuries, technical failures, union rules, weather, producers panicking, understudies sprinting through blocking, a lead trying to dance through pain because the audience has already paid. Coming from Rivera - a performer whose career is practically synonymous with Broadway endurance - the quote doubles as cultural commentary. We celebrate the polished product and meme-ify perseverance, but theater’s real heroism is logistical and human, a high-wire act performed nightly behind the scenes.
It works because it honors both truths at once: the romance of “the show must go on,” and the fact that sometimes it almost doesn’t.
Rivera isn’t merely recounting a near-miss; she’s asserting the invisible labor that makes theatrical resilience feel effortless. The phrasing is calibrated: “did go on” sounds almost stubborn, like a muscle memory kicking in, while “very close” admits fragility without indulging melodrama. It’s a veteran’s flex, but not the chest-thumping kind. More like: you have no idea how thin the margin is between magic and cancellation.
The subtext carries a whole ecosystem: injuries, technical failures, union rules, weather, producers panicking, understudies sprinting through blocking, a lead trying to dance through pain because the audience has already paid. Coming from Rivera - a performer whose career is practically synonymous with Broadway endurance - the quote doubles as cultural commentary. We celebrate the polished product and meme-ify perseverance, but theater’s real heroism is logistical and human, a high-wire act performed nightly behind the scenes.
It works because it honors both truths at once: the romance of “the show must go on,” and the fact that sometimes it almost doesn’t.
Quote Details
| Topic | Resilience |
|---|---|
| Source | Help us find the source |
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