"The simple things in life ground me and keep me focused so I'm able to do a good job with what is in front of me"
About this Quote
There is an almost stubborn practicality to Kevin Eubanks framing “the simple things” as a tool, not a vibe. Coming from a working musician who spent years in the high-gloss churn of television and touring, the line reads less like lifestyle branding and more like a survival tactic: keep your nervous system steady so your hands and ears can do their job.
The intent is managerial. “Ground me” and “keep me focused” are verbs of maintenance, hinting at a life where the default setting is distraction: late nights, constant feedback, public visibility, the temptations of ego. Eubanks doesn’t romanticize inspiration; he prioritizes readiness. The payoff is in the second half: “so I’m able to do a good job with what is in front of me.” That phrase narrows the world to the next bar of music, the next cue, the next person in the room. It’s a quiet rebuke to the mythology of the artist as lightning rod. Craft beats chaos.
The subtext is humility with a spine. “What is in front of me” signals presence, but also restraint: don’t chase the abstract career narrative when the real work is immediate and concrete. In jazz especially, attention is ethical; you owe it to the bandstand, to the audience, to the moment. Simple things - routine, family, food, a walk, a laugh - become a kind of counter-rhythm against the industry’s push toward spectacle. The line’s power is its refusal to overpromise: not transcendence, not genius, just the disciplined conditions that make consistent excellence possible.
The intent is managerial. “Ground me” and “keep me focused” are verbs of maintenance, hinting at a life where the default setting is distraction: late nights, constant feedback, public visibility, the temptations of ego. Eubanks doesn’t romanticize inspiration; he prioritizes readiness. The payoff is in the second half: “so I’m able to do a good job with what is in front of me.” That phrase narrows the world to the next bar of music, the next cue, the next person in the room. It’s a quiet rebuke to the mythology of the artist as lightning rod. Craft beats chaos.
The subtext is humility with a spine. “What is in front of me” signals presence, but also restraint: don’t chase the abstract career narrative when the real work is immediate and concrete. In jazz especially, attention is ethical; you owe it to the bandstand, to the audience, to the moment. Simple things - routine, family, food, a walk, a laugh - become a kind of counter-rhythm against the industry’s push toward spectacle. The line’s power is its refusal to overpromise: not transcendence, not genius, just the disciplined conditions that make consistent excellence possible.
Quote Details
| Topic | Live in the Moment |
|---|
More Quotes by Kevin
Add to List


