"The simplest definition of advertising, and one that will probably meet the test of critical examination, is that advertising is selling in print"
About this Quote
A psychologist calling advertising "selling in print" is a deliberate demystification. Daniel Starch isn’t chasing poetry; he’s policing boundaries. In the early-to-mid 20th century, when advertising was eager to dress itself up as modern art, public service, or cultural commentary, Starch drags it back to the cash register. The line reads like a lab note: clean, operational, hard to argue with. That’s the point. If you can define the thing in a way that survives "critical examination", you can measure it, test it, and optimize it.
The intent is also defensive. Advertising has always wanted moral cover: it informs, it entertains, it builds brands. Starch denies the escape hatches. "Selling" is the telos; "in print" is the delivery mechanism. The subtext is that persuasion can be studied like any other stimulus-response system. Coming from a psychologist, this is less a cynical shrug than a methodological claim: treat ads as instruments engineered to change behavior, not as cultural artifacts deserving indulgent interpretation.
There’s an implicit warning here, too. If advertising is simply salesmanship translated onto a page, then its ethics are the ethics of selling: selective truth, emotional leverage, calibrated appeals to status, fear, desire. Starch’s tight phrasing makes the modern relevance obvious. Swap "print" for "feeds" and "push notifications" and the definition still bites, because the function hasn’t changed. Only the laboratory got bigger, and the experiments started running on everyone.
The intent is also defensive. Advertising has always wanted moral cover: it informs, it entertains, it builds brands. Starch denies the escape hatches. "Selling" is the telos; "in print" is the delivery mechanism. The subtext is that persuasion can be studied like any other stimulus-response system. Coming from a psychologist, this is less a cynical shrug than a methodological claim: treat ads as instruments engineered to change behavior, not as cultural artifacts deserving indulgent interpretation.
There’s an implicit warning here, too. If advertising is simply salesmanship translated onto a page, then its ethics are the ethics of selling: selective truth, emotional leverage, calibrated appeals to status, fear, desire. Starch’s tight phrasing makes the modern relevance obvious. Swap "print" for "feeds" and "push notifications" and the definition still bites, because the function hasn’t changed. Only the laboratory got bigger, and the experiments started running on everyone.
Quote Details
| Topic | Marketing |
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