"The speed of change makes you wonder what will become of architecture"
About this Quote
In Ando's line, the anxiety isn’t just about buildings getting outdated; it’s about the cultural ground shifting so fast that architecture risks losing its slow, stubborn authority. The phrasing is deliberately modest - “makes you wonder” - but it carries the quiet dread of someone who has spent a career betting on duration: concrete that holds light, walls that choreograph silence, spaces that insist you linger. Speed is the antagonist here, not change itself.
The intent is a warning aimed at an industry increasingly tethered to cycles it can’t control: real estate timelines, brand refreshes, algorithm-driven taste, value-engineering that shaves away nuance. Architecture is uniquely vulnerable because it’s both expensive and public. You can reissue a song, patch software, rename a platform. You can’t “update” a neighborhood without consequences.
The subtext is also a critique of novelty as a moral virtue. When change becomes the default setting, the built environment turns into content: a skyline optimized for attention, interiors designed for photos, “iconic” forms that age like product launches. Ando’s own work argues the opposite - that meaning accrues through repetition, weathering, and restraint.
Context matters: a Japanese architect shaped by postwar reconstruction and later by the boom-and-bust rhythms of global capital. His question lands as an ethical one: if society can’t commit to anything for long, what happens to the art form whose job is to make commitments in stone, glass, and time?
The intent is a warning aimed at an industry increasingly tethered to cycles it can’t control: real estate timelines, brand refreshes, algorithm-driven taste, value-engineering that shaves away nuance. Architecture is uniquely vulnerable because it’s both expensive and public. You can reissue a song, patch software, rename a platform. You can’t “update” a neighborhood without consequences.
The subtext is also a critique of novelty as a moral virtue. When change becomes the default setting, the built environment turns into content: a skyline optimized for attention, interiors designed for photos, “iconic” forms that age like product launches. Ando’s own work argues the opposite - that meaning accrues through repetition, weathering, and restraint.
Context matters: a Japanese architect shaped by postwar reconstruction and later by the boom-and-bust rhythms of global capital. His question lands as an ethical one: if society can’t commit to anything for long, what happens to the art form whose job is to make commitments in stone, glass, and time?
Quote Details
| Topic | Change |
|---|---|
| Source | Help us find the source |
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