"The superior man acquaints himself with many sayings of antiquity and many deeds of the past, in order to strengthen his character thereby"
About this Quote
Milton’s “superior man” isn’t a swaggering aristocrat; it’s a self-forged citizen, built out of reading, memory, and moral muscle. The line is less about nostalgia than about training. “Acquaints himself” is doing real work here: it implies active, almost disciplined familiarity, not passive reverence. Antiquity and history become a gym for the conscience, stocked with maxims and examples that pressure-test the self.
The subtext is polemical. Milton lived through England’s civil wars, the execution of a king, a republic, and the Restoration that punished many of his allies. In that churn, “character” isn’t a Victorian accessory; it’s the thing that keeps you from being seduced by faction, fear, or convenience. He’s arguing, implicitly, that the past offers more than decoration for the educated. It offers precedents for courage and warnings against corruption, a repertoire of models sturdy enough to survive propaganda.
Calling this figure “superior” is provocative, and intentionally so. Milton, the poet of Paradise Lost and the pamphleteer for free expression, is sketching an elite that’s not inherited but earned: superiority as moral competence. The classical register nods to Renaissance humanism, but the political edge is modern: a society that forgets its intellectual inheritance becomes easy to govern badly. The quote flatters the reader into a responsibility, turning “culture” into a civic task.
The subtext is polemical. Milton lived through England’s civil wars, the execution of a king, a republic, and the Restoration that punished many of his allies. In that churn, “character” isn’t a Victorian accessory; it’s the thing that keeps you from being seduced by faction, fear, or convenience. He’s arguing, implicitly, that the past offers more than decoration for the educated. It offers precedents for courage and warnings against corruption, a repertoire of models sturdy enough to survive propaganda.
Calling this figure “superior” is provocative, and intentionally so. Milton, the poet of Paradise Lost and the pamphleteer for free expression, is sketching an elite that’s not inherited but earned: superiority as moral competence. The classical register nods to Renaissance humanism, but the political edge is modern: a society that forgets its intellectual inheritance becomes easy to govern badly. The quote flatters the reader into a responsibility, turning “culture” into a civic task.
Quote Details
| Topic | Wisdom |
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