"The thing of playin' and singin' never bothered me"
About this Quote
A lot of musicians build their myth on struggle; Mose Allison shrugs and lets the myth die of boredom. "The thing of playin' and singin' never bothered me" is disarmingly plain, almost tossed off between cigarette drags, and that casualness is the point. Allison made a career out of sounding unhurried while doing sly, high-level work: jazz harmony dressed in conversational phrasing, blues attitude delivered with a pianist's restraint. The line performs that same trick. It's not a brag, exactly. It's a refusal to treat artistry as sacred suffering.
The dialect matters. "Playin'" and "singin'" trims the edges, pulling the statement away from the concert hall and back toward porches, bars, small clubs. He frames music as a "thing" - a job, a habit, a craft - not a mystical calling. That language undercuts the romantic story we sell about musicians being tormented geniuses who have to bleed for every note. Allison implies that the real burden isn't the act of making music; it's everything that swirls around it: the business, the expectations, the posturing, the pressure to perform a persona as much as a set.
Contextually, coming from a Mississippi-born jazz-blues icon who thrived in the cool-jazz era without ever sounding precious, it's a statement of aesthetic philosophy. Ease is not laziness here; it's control. If the playing never "bothered" him, it's because he mastered the hardest flex in American music: making complexity feel like common sense.
The dialect matters. "Playin'" and "singin'" trims the edges, pulling the statement away from the concert hall and back toward porches, bars, small clubs. He frames music as a "thing" - a job, a habit, a craft - not a mystical calling. That language undercuts the romantic story we sell about musicians being tormented geniuses who have to bleed for every note. Allison implies that the real burden isn't the act of making music; it's everything that swirls around it: the business, the expectations, the posturing, the pressure to perform a persona as much as a set.
Contextually, coming from a Mississippi-born jazz-blues icon who thrived in the cool-jazz era without ever sounding precious, it's a statement of aesthetic philosophy. Ease is not laziness here; it's control. If the playing never "bothered" him, it's because he mastered the hardest flex in American music: making complexity feel like common sense.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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