"The thing that makes you exceptional, if you are at all, is inevitably that which must also make you lonely"
About this Quote
Hansberry’s line doesn’t romanticize genius; it prices it. “Exceptional” arrives hedged twice - “the thing” and “if you are at all” - a cool refusal of self-mythology. She’s suspicious of the glamour we attach to talent or moral clarity. The sentence moves like a trap: the same trait that elevates you “inevitably” exiles you. Not might, not sometimes. Must.
The subtext is social before it’s psychological. Loneliness here isn’t the tender solitude of the artist; it’s the loneliness of being out of step with the norms that keep groups coherent. If you see differently, want differently, refuse the script, you become an inconvenient mirror. Communities don’t only punish dissent with open hostility; they do it with distance, omission, the slow withdrawal of ease. Hansberry, a Black lesbian playwright writing in mid-century America, knew that “exceptional” can mean simply insisting on full personhood in a culture invested in your diminishment. Her work (especially A Raisin in the Sun) is crowded with people who love each other yet collide over ambition, assimilation, gendered expectations, and the cost of dreaming loudly.
The intent feels bracingly unsentimental: if you’re chasing distinctiveness - artistic, ethical, political - stop pretending it comes with automatic belonging. The line works because it turns the usual equation inside out. We’re taught exceptionality earns applause. Hansberry suggests it often earns silence, and that silence is not a personal failing but a structural consequence of standing where fewer people can stand beside you.
The subtext is social before it’s psychological. Loneliness here isn’t the tender solitude of the artist; it’s the loneliness of being out of step with the norms that keep groups coherent. If you see differently, want differently, refuse the script, you become an inconvenient mirror. Communities don’t only punish dissent with open hostility; they do it with distance, omission, the slow withdrawal of ease. Hansberry, a Black lesbian playwright writing in mid-century America, knew that “exceptional” can mean simply insisting on full personhood in a culture invested in your diminishment. Her work (especially A Raisin in the Sun) is crowded with people who love each other yet collide over ambition, assimilation, gendered expectations, and the cost of dreaming loudly.
The intent feels bracingly unsentimental: if you’re chasing distinctiveness - artistic, ethical, political - stop pretending it comes with automatic belonging. The line works because it turns the usual equation inside out. We’re taught exceptionality earns applause. Hansberry suggests it often earns silence, and that silence is not a personal failing but a structural consequence of standing where fewer people can stand beside you.
Quote Details
| Topic | Loneliness |
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