"The thing with me, I can't talk about my work. I find it very difficult"
About this Quote
There is a particular kind of honesty in refusing to perform “the artist” on command, and Mark E. Smith turns that refusal into a worldview. “The thing with me” is conversational, almost shrugging, but it also plants a flag: this isn’t a quirky preference, it’s an operating system. When he says he “can’t talk about my work,” he’s rejecting the modern expectation that musicians should be their own press office, therapist, and brand strategist, translating instinct into elevator pitches.
The subtext is classic Smith: contempt for the soft-focus mythology that grows around art once it becomes content. To narrate the work is to domesticate it, to file its teeth down into something legible and marketable. His second sentence sharpens the point. “I find it very difficult” isn’t coy mystique; it’s a reminder that whatever The Fall were doing came from a place that didn’t speak in neat motivations. The difficulty is the point. Explanation would be a betrayal of process, a kind of bureaucratic paperwork imposed on something meant to stay abrasive.
Context matters: Smith came up in post-industrial Britain and spent a career swerving away from polish, both musically and socially. As the music industry shifted toward constant self-commentary - interviews as part of the product, persona as merchandise - his refusal reads like resistance. It’s also a power move: by withholding the “meaning,” he forces the audience to meet the work on its own terms, not the artist’s talking points. In a culture addicted to behind-the-scenes access, Smith makes opacity feel principled.
The subtext is classic Smith: contempt for the soft-focus mythology that grows around art once it becomes content. To narrate the work is to domesticate it, to file its teeth down into something legible and marketable. His second sentence sharpens the point. “I find it very difficult” isn’t coy mystique; it’s a reminder that whatever The Fall were doing came from a place that didn’t speak in neat motivations. The difficulty is the point. Explanation would be a betrayal of process, a kind of bureaucratic paperwork imposed on something meant to stay abrasive.
Context matters: Smith came up in post-industrial Britain and spent a career swerving away from polish, both musically and socially. As the music industry shifted toward constant self-commentary - interviews as part of the product, persona as merchandise - his refusal reads like resistance. It’s also a power move: by withholding the “meaning,” he forces the audience to meet the work on its own terms, not the artist’s talking points. In a culture addicted to behind-the-scenes access, Smith makes opacity feel principled.
Quote Details
| Topic | Work |
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