"The track in Abu Dhabi is special; this will be our third Grand Prix there"
About this Quote
“The track in Abu Dhabi is special” is Vettel doing a very particular kind of public-language work: making novelty feel like tradition. In 2011, Abu Dhabi was still a relatively young Grand Prix, a modern showpiece on the calendar rather than a myth-soaked circuit like Monza or Silverstone. Calling it “special” isn’t just praise; it’s an attempt to install instant prestige into a place built for spectacle, sponsors, and geopolitics as much as racing.
The second clause is the tell: “this will be our third Grand Prix there.” Third. Not thirtieth. Vettel’s specificity functions like a receipt. He’s quietly acknowledging that this “special” status hasn’t been earned by decades of folklore, but he’s selling the idea that it’s already happening. It’s branding disguised as familiarity, and it’s also athlete pragmatism: drivers are expected to sound appreciative, forward-looking, and uncontroversial in environments where the promotional machine is as present as the pit wall.
Context matters because Vettel, even then, was emerging as Formula 1’s new face: young, dominant, and media-trained. The line reads like a bridge between two F1s: the old narrative of gritty European heritage and the new era of destination races engineered to look cinematic under floodlights. The subtext is reassurance. To fans, it says: this isn’t an artificial stop on the tour, it’s part of our story now. To organizers, it signals loyalty. To the sport, it smooths over the tension between racing culture and racing commerce.
The second clause is the tell: “this will be our third Grand Prix there.” Third. Not thirtieth. Vettel’s specificity functions like a receipt. He’s quietly acknowledging that this “special” status hasn’t been earned by decades of folklore, but he’s selling the idea that it’s already happening. It’s branding disguised as familiarity, and it’s also athlete pragmatism: drivers are expected to sound appreciative, forward-looking, and uncontroversial in environments where the promotional machine is as present as the pit wall.
Context matters because Vettel, even then, was emerging as Formula 1’s new face: young, dominant, and media-trained. The line reads like a bridge between two F1s: the old narrative of gritty European heritage and the new era of destination races engineered to look cinematic under floodlights. The subtext is reassurance. To fans, it says: this isn’t an artificial stop on the tour, it’s part of our story now. To organizers, it signals loyalty. To the sport, it smooths over the tension between racing culture and racing commerce.
Quote Details
| Topic | Sports |
|---|---|
| Source | Help us find the source |
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