"The trick is the paradox - turning your story inside out. Now if it is something that appears to be of total normality and then suddenly turns inside out and is a different thing all together then that's fun to write"
About this Quote
Paradox, for Nigel Kneale, is less a clever literary device than a delivery system for dread. His “trick” isn’t ornamentation; it’s method: take the everyday, seal it in familiarity, then invert it so the audience realizes they’ve been living next door to something unnameable. “Turning your story inside out” is a visceral image, like skin pulled back to reveal a different anatomy. The phrase smuggles in a key Kneale move: horror doesn’t arrive as an intruder, it’s revealed as the true structure of the room.
The insistence on “total normality” matters. Kneale wrote at the height of postwar British modernity, when television and scientific optimism promised order, progress, a neatly managed future. His work (most famously the Quatermass cycle) keeps puncturing that promise. The normal world isn’t abandoned; it’s weaponized. Normality becomes camouflage for cosmic indifference, state secrecy, technological hubris, ancient superstition resurfacing through modern circuitry.
He also quietly demystifies craft. Calling it a “trick” is disarming, almost cheeky, but it’s a professional’s honesty: audiences crave the click of recognition, then the shock of reclassification. Something you thought you understood is suddenly “a different thing altogether.” That pivot is “fun” to write because it’s power - the writer gets to rewire meaning in real time, to make certainty feel naive, and to make the familiar newly dangerous without changing a single streetlamp.
The insistence on “total normality” matters. Kneale wrote at the height of postwar British modernity, when television and scientific optimism promised order, progress, a neatly managed future. His work (most famously the Quatermass cycle) keeps puncturing that promise. The normal world isn’t abandoned; it’s weaponized. Normality becomes camouflage for cosmic indifference, state secrecy, technological hubris, ancient superstition resurfacing through modern circuitry.
He also quietly demystifies craft. Calling it a “trick” is disarming, almost cheeky, but it’s a professional’s honesty: audiences crave the click of recognition, then the shock of reclassification. Something you thought you understood is suddenly “a different thing altogether.” That pivot is “fun” to write because it’s power - the writer gets to rewire meaning in real time, to make certainty feel naive, and to make the familiar newly dangerous without changing a single streetlamp.
Quote Details
| Topic | Writing |
|---|
More Quotes by Nigel
Add to List
