"The truth is, I'd never seen a Cary Grant film. Since then I have watched his stuff and it's astounding, but I don't see any similarity between us. Except for the fact that I'm told he used to wear ladies' underwear, which is something I also do"
About this Quote
Hugh Grant’s genius here is that he sidesteps the compliment while weaponizing it. The Cary Grant comparison is an old piece of press laziness: a handsome British actor gets slotted into the nearest “classic leading man” template. Hugh answers by pretending to take the premise seriously (“I’d never seen a Cary Grant film”), then punctures it with a deadpan pivot that turns prestige into farce. Yes, Cary’s work is “astounding,” but the point is that admiration doesn’t equal lineage. He refuses the inheritance.
The subtext is a controlled rejection of the celebrity narrative that tries to make actors into types rather than people. Instead of arguing about craft, he reframes the entire exchange as a question of mythology: how these legends are built, repeated, and maintained by gossip. The underwear line is the knife twist. It’s not just bawdy; it’s strategic. Grant takes the glossy, untouchable “Cary Grant” monument and drags it back into the realm of private weirdness, where all icons eventually belong.
There’s also a self-protective move in the comedy. Hugh Grant’s public persona has always been tethered to charm, embarrassment, and tabloid scrutiny; joking about lingerie is a way to own the vulnerability before someone else does. He turns potential scandal into punchline, and in doing so, he quietly asserts the only comparison that matters: both men understood that performance isn’t confined to the screen. It’s how you survive being looked at.
The subtext is a controlled rejection of the celebrity narrative that tries to make actors into types rather than people. Instead of arguing about craft, he reframes the entire exchange as a question of mythology: how these legends are built, repeated, and maintained by gossip. The underwear line is the knife twist. It’s not just bawdy; it’s strategic. Grant takes the glossy, untouchable “Cary Grant” monument and drags it back into the realm of private weirdness, where all icons eventually belong.
There’s also a self-protective move in the comedy. Hugh Grant’s public persona has always been tethered to charm, embarrassment, and tabloid scrutiny; joking about lingerie is a way to own the vulnerability before someone else does. He turns potential scandal into punchline, and in doing so, he quietly asserts the only comparison that matters: both men understood that performance isn’t confined to the screen. It’s how you survive being looked at.
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| Topic | Witty One-Liners |
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