"The ultimate sin of any performer is contempt for the audience"
About this Quote
The word "ultimate" is doing blunt-force work. In rock, sins are plentiful and often celebrated: excess, ego, provocation, chaos. Bangs is saying all of that can be metabolized into energy as long as it keeps faith with the transaction. The audience isn't a focus group; they're co-authors of the night. Contempt breaks the circuit. It turns risk into punishment, rebellion into a tantrum, difficulty into gatekeeping. The performer stops playing toward an encounter and starts playing over people's heads, which is just another kind of selling out: not to commerce, but to self-regard.
The context is Bangs's whole career inside the love-hate machinery of 1970s rock, when authenticity became both religion and marketing copy. He watched artists get rewarded for postures of aloofness, cruelty, and irony, and he understood how easily "challenging the crowd" becomes a mask for laziness or fear. The line reads like a code of ethics for the stage, and also for criticism: you can be savage, but you can't be smug.
Quote Details
| Topic | Respect |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Bangs, Lester. (2026, January 15). The ultimate sin of any performer is contempt for the audience. FixQuotes. https://fixquotes.com/quotes/the-ultimate-sin-of-any-performer-is-contempt-for-72278/
Chicago Style
Bangs, Lester. "The ultimate sin of any performer is contempt for the audience." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/the-ultimate-sin-of-any-performer-is-contempt-for-72278/.
MLA Style (9th ed.)
"The ultimate sin of any performer is contempt for the audience." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/the-ultimate-sin-of-any-performer-is-contempt-for-72278/. Accessed 13 Feb. 2026.









