"The way I look at a solo project is, I create what I want with whoever I want"
About this Quote
It is not a manifesto about artistic purity so much as a mission statement about control. When Sebastian Bach says a solo project means creating what he wants with whoever he wants, he’s drawing a clean line between “band” as institution and “solo” as permission slip. The phrasing is blunt, almost managerial: want, whoever, want. No romance about the muse, no talk of legacy. Just autonomy, and the right to curate.
The subtext is shaped by rock’s most familiar pressure cooker: the group dynamic that turns every creative choice into a referendum. Bands can be families, but they’re also committees with tour schedules, brand expectations, old grudges, and democratic veto power. A solo project becomes the loophole. It’s where a frontman can chase a riff that doesn’t fit the established sound, pull in unexpected collaborators, or work at a pace that doesn’t require unanimous emotional readiness. “Whoever I want” hints at freedom and at politics: alliances matter, and choosing collaborators is a way to signal relevance, taste, and independence all at once.
Contextually, it reads like an artist who’s lived through the myth of rock brotherhood and come out valuing flexibility over loyalty for loyalty’s sake. In an era where collaboration is currency and careers are modular, Bach’s line lands as practical, even modern. The “solo” isn’t solitude; it’s a platform where the only nonnegotiable is his own taste.
The subtext is shaped by rock’s most familiar pressure cooker: the group dynamic that turns every creative choice into a referendum. Bands can be families, but they’re also committees with tour schedules, brand expectations, old grudges, and democratic veto power. A solo project becomes the loophole. It’s where a frontman can chase a riff that doesn’t fit the established sound, pull in unexpected collaborators, or work at a pace that doesn’t require unanimous emotional readiness. “Whoever I want” hints at freedom and at politics: alliances matter, and choosing collaborators is a way to signal relevance, taste, and independence all at once.
Contextually, it reads like an artist who’s lived through the myth of rock brotherhood and come out valuing flexibility over loyalty for loyalty’s sake. In an era where collaboration is currency and careers are modular, Bach’s line lands as practical, even modern. The “solo” isn’t solitude; it’s a platform where the only nonnegotiable is his own taste.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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