Creativity Quote by Eberhard Weber

“The way to compose for me is to have lots of time” lands like a quiet rebuke to the myth of the lightning-bolt genius. Eberhard Weber isn’t dressing up procrastination as artistry; he’s naming a working condition that most serious musicians recognize but few say plainly. Time isn’t a luxury add-on to composition, it’s the medium the music is made from. For a player-composer rooted in jazz and European chamber sensibilities, that matters: Weber’s sound world depends on slow accrual - tone, space, resonance, the long arc of a piece that can’t be brute-forced in a weekend sprint.

The intent is disarmingly practical: give him time and the work happens. The subtext is sharper. He’s pushing against a culture that treats creativity like content production, where output is the only visible metric and speed is confused with skill. In that economy, “inspiration” is a marketable story; “time” is an expense. Weber’s line reframes the conversation: composition isn’t just the act of writing notes, it’s listening long enough to know which notes don’t belong.

Contextually, it’s a musician’s answer to an industry that’s increasingly deadline-driven - touring cycles, label expectations, now the streaming-era pressure to stay present. Weber’s statement defends slowness as an aesthetic choice and an ethical one. He’s not asking for mystique. He’s asking for conditions where the music can actually ripen.