"The whole competition thing disturbs me. Not that I wasn't a part of it when I first started"
About this Quote
The unease here isn’t moral grandstanding; it’s a poet admitting he can’t fully launder his own history. “The whole competition thing” is deliberately blunt, almost weary, as if the phrase itself is too familiar to dignify with nuance. Murray frames competition less as a motivating game than as a contaminant in the arts: a system that turns attention into points, poems into products, and worth into placement.
The second sentence is where the quote earns its credibility. “Not that I wasn’t a part of it” disarms the easy posture of purity. It’s a confession that doubles as a critique of the pipeline: early-career artists often have to submit, chase prizes, accumulate lines on bios, and learn the subtle etiquette of being judged. That parenthetical honesty (“when I first started”) suggests a coming-of-age narrative in miniature: youthful hunger meeting an ecosystem that rewards scarcity and ranking. He’s not condemning people still inside it; he’s naming how the pressure gets normalized.
Subtextually, Murray is rejecting the idea that art improves through tournament logic. In poetry, competition can mean contests, fellowships, MFA hierarchies, social media metrics, even the quiet rivalries of small scenes. The disturbance isn’t about losing; it’s about what the chase does to the work and the self: writing toward what wins, curating a persona, mistaking external validation for internal standard. By owning his participation, he avoids hypocrisy and points to something more unsettling: the trap works because it’s often the only door that opens at the beginning.
The second sentence is where the quote earns its credibility. “Not that I wasn’t a part of it” disarms the easy posture of purity. It’s a confession that doubles as a critique of the pipeline: early-career artists often have to submit, chase prizes, accumulate lines on bios, and learn the subtle etiquette of being judged. That parenthetical honesty (“when I first started”) suggests a coming-of-age narrative in miniature: youthful hunger meeting an ecosystem that rewards scarcity and ranking. He’s not condemning people still inside it; he’s naming how the pressure gets normalized.
Subtextually, Murray is rejecting the idea that art improves through tournament logic. In poetry, competition can mean contests, fellowships, MFA hierarchies, social media metrics, even the quiet rivalries of small scenes. The disturbance isn’t about losing; it’s about what the chase does to the work and the self: writing toward what wins, curating a persona, mistaking external validation for internal standard. By owning his participation, he avoids hypocrisy and points to something more unsettling: the trap works because it’s often the only door that opens at the beginning.
Quote Details
| Topic | Wisdom |
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