"The whole schizophrenia angle interested me. When I first started working on it, I thought I would play up that angle more than I ended up doing. The religious aspect of the story was also a draw"
About this Quote
Brown tips his hand like a magician admitting which misdirection almost made the cut. “The whole schizophrenia angle” reads like the kind of hook publishers and readers are trained to salivate over: pathology as plot engine, diagnosis as ready-made metaphor. But he immediately undercuts it. He “thought” he’d play it up, then chose not to. That quiet reversal signals an ethic as much as an aesthetic preference: a refusal to turn mental illness into spectacle or a narrative cheat code that explains everything and absolves the story from deeper causality.
What replaces it is telling. The “religious aspect” isn’t framed as an add-on; it’s “also a draw,” implying a competing gravity. In Brown’s hands, religion often functions less as doctrine than as structure: a system that can be comforting, coercive, seductive, and narratively useful in the way comics are useful - a set of frames that decides what gets seen and what gets left in the gutter. Pairing schizophrenia and religion is loaded territory because both are cultures of interpretation: voices, visions, certainty, doubt, communities policing meaning.
The subtext is craft talk that doubles as a moral choice. Brown’s phrasing is disarmingly practical - “angle,” “aspect,” “draw” - the vocabulary of someone building a story out of temptations. He’s acknowledging the lurid version he could have made, then pointing toward the harder one: a narrative where belief and perception do the heavy lifting, and where ambiguity isn’t a failure to commit but the point.
What replaces it is telling. The “religious aspect” isn’t framed as an add-on; it’s “also a draw,” implying a competing gravity. In Brown’s hands, religion often functions less as doctrine than as structure: a system that can be comforting, coercive, seductive, and narratively useful in the way comics are useful - a set of frames that decides what gets seen and what gets left in the gutter. Pairing schizophrenia and religion is loaded territory because both are cultures of interpretation: voices, visions, certainty, doubt, communities policing meaning.
The subtext is craft talk that doubles as a moral choice. Brown’s phrasing is disarmingly practical - “angle,” “aspect,” “draw” - the vocabulary of someone building a story out of temptations. He’s acknowledging the lurid version he could have made, then pointing toward the harder one: a narrative where belief and perception do the heavy lifting, and where ambiguity isn’t a failure to commit but the point.
Quote Details
| Topic | Mental Health |
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