"The world is too much with us; late and soon, getting and spending, we lay waste our powers: Little we see in Nature that is ours"
About this Quote
Industrial modernity hums in the background of these lines like a machine you can’t switch off. Wordsworth compresses an entire social critique into a few blunt verbs: “getting and spending.” The phrase is deliberately flat, almost commercial copy, and that’s the point. It mimics the mindless rhythm of market life, where time is chopped into transactions and attention becomes another resource to monetize. “Late and soon” widens the trap: this isn’t a bad habit confined to office hours but a total occupation, a schedule that colonizes the day and, more damningly, the self.
The sting comes from the moral language tucked inside the pastoral. “We lay waste our powers” makes distraction sound like environmental damage. What’s being strip-mined isn’t only the landscape but human capacity: wonder, perception, interior life, the ability to be moved by something that doesn’t pay you back. Wordsworth’s complaint isn’t that people look at nature less; it’s that they’ve lost the equipment for looking. That’s why “Little we see” lands as an indictment of vision, not scenery.
Context sharpens the urgency. Writing in the early 1800s, Wordsworth is watching England tilt toward factories, urban crowding, and consumer desire as a new civic religion. His Romantic wager is that nature isn’t decor or escape; it’s a relationship that forms character. “Nature that is ours” isn’t ownership so much as belonging: a shared inheritance we’re failing to claim, because we’re too busy counting what we can buy.
The sting comes from the moral language tucked inside the pastoral. “We lay waste our powers” makes distraction sound like environmental damage. What’s being strip-mined isn’t only the landscape but human capacity: wonder, perception, interior life, the ability to be moved by something that doesn’t pay you back. Wordsworth’s complaint isn’t that people look at nature less; it’s that they’ve lost the equipment for looking. That’s why “Little we see” lands as an indictment of vision, not scenery.
Context sharpens the urgency. Writing in the early 1800s, Wordsworth is watching England tilt toward factories, urban crowding, and consumer desire as a new civic religion. His Romantic wager is that nature isn’t decor or escape; it’s a relationship that forms character. “Nature that is ours” isn’t ownership so much as belonging: a shared inheritance we’re failing to claim, because we’re too busy counting what we can buy.
Quote Details
| Topic | Nature |
|---|---|
| Source | William Wordsworth, "The World Is Too Much with Us" (sonnet), first published 1807 in Poems, in Two Volumes; opening lines as printed. |
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