"The worst possible turn can not be programmed. It is caused by coincidence"
About this Quote
Order is the story we tell ourselves so we can sleep at night; Duerrenmatt’s line is the rude awakening. “The worst possible turn can not be programmed” isn’t just a shrug at bad luck. It’s a deliberate jab at the modern faith that systems - political, technological, bureaucratic - can anticipate every outcome if only we model hard enough. He follows with the killer twist: catastrophe arrives not as a plotted consequence but as “coincidence,” the stray variable that humiliates our clean theories of cause and effect.
Duerrenmatt wrote out of a Swiss, mid-century Europe marinated in both technocratic confidence and fresh historical trauma. After the Holocaust, after the mechanized logic of war, “programming” takes on an ominous double meaning: calculation as salvation, calculation as crime. His fiction and plays (The Visit, The Physicists) repeatedly stage worlds where rational plans become moral traps, and where the supposedly minor accident exposes how brittle ethics are under pressure.
The subtext is cynical but not nihilistic: if the worst isn’t engineered, then guilt can’t be outsourced to “the system” alone. Coincidence becomes a moral stress test. It forces characters - and societies - to reveal what they’ll do when the script breaks: who grabs power, who hides behind procedure, who improvises cruelty, who chooses responsibility. The line works because it punctures the comforting fantasy of control while refusing the equally comforting fantasy of innocence.
Duerrenmatt wrote out of a Swiss, mid-century Europe marinated in both technocratic confidence and fresh historical trauma. After the Holocaust, after the mechanized logic of war, “programming” takes on an ominous double meaning: calculation as salvation, calculation as crime. His fiction and plays (The Visit, The Physicists) repeatedly stage worlds where rational plans become moral traps, and where the supposedly minor accident exposes how brittle ethics are under pressure.
The subtext is cynical but not nihilistic: if the worst isn’t engineered, then guilt can’t be outsourced to “the system” alone. Coincidence becomes a moral stress test. It forces characters - and societies - to reveal what they’ll do when the script breaks: who grabs power, who hides behind procedure, who improvises cruelty, who chooses responsibility. The line works because it punctures the comforting fantasy of control while refusing the equally comforting fantasy of innocence.
Quote Details
| Topic | Free Will & Fate |
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