"Then I left that school and I went to Cerritos College, which was in southern California; they had one of the best big band programs in the country at the time"
About this Quote
There is a quiet flex tucked inside the plainness of Bobby McFerrin's sentence: the pivot from “that school” to a place with a name, a geography, and a reputation. He’s narrating a career not as destiny but as a series of practical reroutes. The language is almost aggressively unglamorous - left, went, was - which is exactly why it lands. McFerrin, a musician often associated with effortless joy and improvisational freedom, frames his development as something built in infrastructure: a community college, a program, a scene.
The subtext is democratic and a little corrective. We’re trained to think serious musical training flows through elite conservatories and prestigious pipelines. McFerrin points elsewhere: Cerritos College in Southern California, where “one of the best big band programs in the country” lived at that moment. That clause matters. “At the time” acknowledges how excellence can be local, fleeting, and tied to specific teachers and cohorts rather than permanent brand names. It’s a musician’s way of honoring the ecosystem.
There’s also an aesthetic clue. Big band is discipline disguised as swing: arrangement, blend, listening, precision, collective timing. By emphasizing that program, McFerrin is indirectly explaining his own fluency - the way he can lead a room with a voice and still think like an arranger. The intent isn’t nostalgia; it’s provenance. He’s mapping the unromantic logistics behind artistry, and in doing so, expanding what “the right path” can look like.
The subtext is democratic and a little corrective. We’re trained to think serious musical training flows through elite conservatories and prestigious pipelines. McFerrin points elsewhere: Cerritos College in Southern California, where “one of the best big band programs in the country” lived at that moment. That clause matters. “At the time” acknowledges how excellence can be local, fleeting, and tied to specific teachers and cohorts rather than permanent brand names. It’s a musician’s way of honoring the ecosystem.
There’s also an aesthetic clue. Big band is discipline disguised as swing: arrangement, blend, listening, precision, collective timing. By emphasizing that program, McFerrin is indirectly explaining his own fluency - the way he can lead a room with a voice and still think like an arranger. The intent isn’t nostalgia; it’s provenance. He’s mapping the unromantic logistics behind artistry, and in doing so, expanding what “the right path” can look like.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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