"Then the early punk rock period with Television and the Ramones. That's what I loved- that's what I was listening to immediately prior to when I started to play"
About this Quote
He’s not just name-checking Television and the Ramones as cool-kid credentials; he’s drawing a tight line between obsession and action. “Immediately prior” is the key phrase: this is the moment where listening stops being passive consumption and becomes permission. Punk, in this telling, isn’t a style so much as a trigger. It collapses the distance between the audience and the stage, between admiration and agency.
Arto Lindsay’s wording carries the humility of origin stories that matter. He doesn’t frame himself as destined; he frames himself as catalyzed. That matters because early punk in New York wasn’t only about faster songs or torn clothes. It was an argument against virtuosity-as-gatekeeping. Television offered wiry, intellectual guitar sprawl; the Ramones offered speed, simplicity, and a kind of blunt joy. Together they form a spectrum of “you can do this” possibilities: art-school precision on one end, three-chord immediacy on the other. Lindsay’s love lives in that range.
The subtext is cultural, not just personal: an era when music scenes functioned like alternative institutions. Listening “immediately prior” suggests a before-and-after split, the way scenes recruit you by making your old tastes feel suddenly irrelevant. It’s also a quiet claim about lineage. By placing his start right after that early punk ignition, Lindsay positions his own work as downstream of a specific rupture in rock history: the moment when competence stopped being the price of entry and conviction became the currency.
Arto Lindsay’s wording carries the humility of origin stories that matter. He doesn’t frame himself as destined; he frames himself as catalyzed. That matters because early punk in New York wasn’t only about faster songs or torn clothes. It was an argument against virtuosity-as-gatekeeping. Television offered wiry, intellectual guitar sprawl; the Ramones offered speed, simplicity, and a kind of blunt joy. Together they form a spectrum of “you can do this” possibilities: art-school precision on one end, three-chord immediacy on the other. Lindsay’s love lives in that range.
The subtext is cultural, not just personal: an era when music scenes functioned like alternative institutions. Listening “immediately prior” suggests a before-and-after split, the way scenes recruit you by making your old tastes feel suddenly irrelevant. It’s also a quiet claim about lineage. By placing his start right after that early punk ignition, Lindsay positions his own work as downstream of a specific rupture in rock history: the moment when competence stopped being the price of entry and conviction became the currency.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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