"Then we did what we called basically I suppose a club tour in England, which was the time I think that our second album came out, we club toured around the whole country where the venues were hold to five hundreds upwards to that sort of thing you know"

In this quote, John Deacon, the bassist of Queen, reflects on a particular period in the band's early history, most likely around the time of their second album release. This quote offers insight into the early days of the band, their promotional methods, and the music scene at that time.

Deacon explains undertaking a "club trip" in England, which indicates a series of efficiencies in fairly small, intimate locations, contrasted with bigger auditorium or arenas. These places typically accommodate audiences varying from a few hundred as much as perhaps a thousand or more individuals. Playing in such settings recommends that Queen remained in the stage of developing its fan base and seeking to establish a more personal get in touch with its audience by carrying out in smaller sized, more accessible areas.

The truth that this tour coincided with the release of their 2nd album suggests it belonged to their strategy to promote new music. By carrying out live, they might directly showcase their latest work to fans and prospective fans. This was a common method for bands of the era when live efficiencies were a main ways of exposure and promo, as they used an opportunity to produce buzz and gain vital press attention.

John Deacon's usage of the phrase "what we called essentially I suppose a club tour" reflects a sense of casual informality or modesty. It suggests that while the tour was considerable to them, it perhaps didn't match the scale or grandeur of later trips or the famous status the band would ultimately achieve.

Overall, the quote encapsulates a developmental period for Queen, marking a time when they were actively working to climb the ladder of success, using their musical talent and live performances to grow their audience and solidify their presence in the competitive music industry of the 1970s.