"Then we're going to take a lot of time off because in the last three years we've been touring continuously"
About this Quote
Meg White’s sentence lands with the soft force of someone refusing the mythology of the grind. “Then we’re going to take a lot of time off” isn’t framed as a luxury or a reward; it’s a boundary stated in plain Midwestern English. In an industry that treats constant visibility as the price of staying real, the bluntness reads almost punk. No apologies, no branded self-care language, no strategic “hiatus” euphemism. Just time off.
The subtext sits in the second clause: “because in the last three years we’ve been touring continuously.” That “because” is doing a lot of work. It offers a practical justification, but it also quietly indicts the expectation that three straight years of touring is normal, sustainable, or even desirable. White isn’t selling the romance of life on the road; she’s naming it as accumulation, as depletion. The word “continuously” is especially telling: it suggests not just hard work but a kind of erasure of ordinary time - home, rest, privacy, the unmonetized parts of being a person.
Context matters here: The White Stripes were built on minimalism and mystique, and White in particular was frequently projected onto - fetishized as “primitive” or “accidental,” discussed more as an aesthetic object than a working musician. This quote reasserts agency in the least theatrical way possible. It’s a reminder that behind the iconic red-and-white visuals and the rock-story narrative is labor with limits, and a performer willing to choose absence over burnout.
The subtext sits in the second clause: “because in the last three years we’ve been touring continuously.” That “because” is doing a lot of work. It offers a practical justification, but it also quietly indicts the expectation that three straight years of touring is normal, sustainable, or even desirable. White isn’t selling the romance of life on the road; she’s naming it as accumulation, as depletion. The word “continuously” is especially telling: it suggests not just hard work but a kind of erasure of ordinary time - home, rest, privacy, the unmonetized parts of being a person.
Context matters here: The White Stripes were built on minimalism and mystique, and White in particular was frequently projected onto - fetishized as “primitive” or “accidental,” discussed more as an aesthetic object than a working musician. This quote reasserts agency in the least theatrical way possible. It’s a reminder that behind the iconic red-and-white visuals and the rock-story narrative is labor with limits, and a performer willing to choose absence over burnout.
Quote Details
| Topic | Work-Life Balance |
|---|---|
| Source | Help us find the source |
More Quotes by Meg
Add to List

