"Thence, I suppose, my natural disposition to make fresh acquaintances, and to break with them so readily, although always for a good reason, and never through mere fickleness"
About this Quote
Restlessness is being repackaged as principle here, and Casanova knows exactly what he’s doing. “Thence, I suppose” performs a neat little shrug, the pose of a man pretending to discover his own character in real time. It’s a rhetorical sleight of hand: he frames his social volatility as something almost scientific, a “natural disposition,” not a choice. That softens the moral charge before it can land.
The real pivot is the double move of confession and self-exoneration. He admits a pattern most people would call opportunism - making “fresh acquaintances” and “break[ing] with them so readily” - then immediately insists on a code: “always for a good reason.” The phrasing is defensive, but elegantly so. “Good reason” stays conveniently undefined, which is the point. It gives him the aura of a man governed by standards without forcing him to submit evidence. And “never through mere fickleness” is a social alibi aimed at the reader: don’t mistake my speed for shallowness; I’m selective, discerning, even ethical.
Context matters. Casanova’s celebrity is inseparable from mobility: moving through courts, salons, and cities where reputation is currency and attachments can be liabilities. In that world, knowing when to exit is a survival skill, not just a personality trait. The subtext is ambition with plausible deniability. He’s not merely justifying churn; he’s turning it into a signature - the cultivated image of a man too alive, too perceptive, to be pinned down by yesterday’s loyalties.
The real pivot is the double move of confession and self-exoneration. He admits a pattern most people would call opportunism - making “fresh acquaintances” and “break[ing] with them so readily” - then immediately insists on a code: “always for a good reason.” The phrasing is defensive, but elegantly so. “Good reason” stays conveniently undefined, which is the point. It gives him the aura of a man governed by standards without forcing him to submit evidence. And “never through mere fickleness” is a social alibi aimed at the reader: don’t mistake my speed for shallowness; I’m selective, discerning, even ethical.
Context matters. Casanova’s celebrity is inseparable from mobility: moving through courts, salons, and cities where reputation is currency and attachments can be liabilities. In that world, knowing when to exit is a survival skill, not just a personality trait. The subtext is ambition with plausible deniability. He’s not merely justifying churn; he’s turning it into a signature - the cultivated image of a man too alive, too perceptive, to be pinned down by yesterday’s loyalties.
Quote Details
| Topic | Broken Friendship |
|---|---|
| Source | Help us find the source |
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