"There are hours when I must force the novel out of my mind and be interested in the children"
About this Quote
Grey’s line lands with a disarming candor: the sentimental Victorian script of the devoted parent dissolves, replaced by the blunt mechanics of attention. He doesn’t confess to disliking his children; he admits something more culturally taboo for a successful creator - that the work colonizes the mind so thoroughly that family life must be actively, almost physically, retrieved.
The verb choice does the heavy lifting. “Force” suggests not mood but muscle, a deliberate act of will against an internal current. “Be interested” is even sharper: it treats care as a practiced posture, not an automatic glow. That’s the subtextual sting. Grey frames domestic affection in the language of concentration, hinting that modern parenthood often competes with the private obsessions that make public achievement possible.
Context matters: Grey wrote in an era when authorship was professionalizing and mass readership was ballooning. For a wildly popular novelist - especially one producing high-output, plot-driven Westerns - the pressure to stay inside the invented world is constant. The quote reads like a miniature labor document: creative work doesn’t end when you leave the desk; it keeps running in the background like a machine you can’t fully shut off.
There’s also a quiet self-indictment tucked into the phrasing. He “must” force the novel out, as if he knows the moral hierarchy and doesn’t always meet it. The sentence works because it refuses the tidy narrative of balance, offering instead the messier truth: attention is finite, and the imagination is a jealous employer.
The verb choice does the heavy lifting. “Force” suggests not mood but muscle, a deliberate act of will against an internal current. “Be interested” is even sharper: it treats care as a practiced posture, not an automatic glow. That’s the subtextual sting. Grey frames domestic affection in the language of concentration, hinting that modern parenthood often competes with the private obsessions that make public achievement possible.
Context matters: Grey wrote in an era when authorship was professionalizing and mass readership was ballooning. For a wildly popular novelist - especially one producing high-output, plot-driven Westerns - the pressure to stay inside the invented world is constant. The quote reads like a miniature labor document: creative work doesn’t end when you leave the desk; it keeps running in the background like a machine you can’t fully shut off.
There’s also a quiet self-indictment tucked into the phrasing. He “must” force the novel out, as if he knows the moral hierarchy and doesn’t always meet it. The sentence works because it refuses the tidy narrative of balance, offering instead the messier truth: attention is finite, and the imagination is a jealous employer.
Quote Details
| Topic | Parenting |
|---|---|
| Source | Help us find the source |
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