"There are obviously legal restrictions on what you can do on TV in the States, as there are everywhere"
About this Quote
Rowntree’s line lands with the dry pragmatism of someone who’s spent a career watching “edgy” art get flattened by broadcast standards, lawyers, and sponsors. The key word is “obviously”: it’s a small shrug that doubles as a jab. If you need reminding that TV is policed, you’re either naive or pretending. Coming from a musician shaped by Britain’s post-punk culture wars, it carries the lived sense that transgression is never just an aesthetic choice; it’s a negotiation with gatekeepers.
The second move - “as there are everywhere” - is where the subtext sharpens. It punctures the lazy myth of American exceptionalism in both directions: the US isn’t uniquely puritanical, but it also isn’t uniquely free. Rowntree isn’t defending censorship so much as reframing it as infrastructure. Every country has its own version: obscenity law, defamation, political pressure, licensing boards, informal blacklists. The point is less “America is strict” than “broadcast culture is regulated culture,” full stop.
Context matters: “on TV” is doing heavy lifting because television, unlike a club show or a record, arrives through licensed public airwaves and mass-market distribution. That brings a different kind of vulnerability: moral panic scales, reputational risk is immediate, and the punishment is often bureaucratic rather than dramatic - fines, pulled ads, lost slots, self-censorship disguised as “standards.”
Rowntree’s intent feels corrective. Not a rant, a reality check: if you want to understand what makes it to screens, follow the rules that never appear in the credits.
The second move - “as there are everywhere” - is where the subtext sharpens. It punctures the lazy myth of American exceptionalism in both directions: the US isn’t uniquely puritanical, but it also isn’t uniquely free. Rowntree isn’t defending censorship so much as reframing it as infrastructure. Every country has its own version: obscenity law, defamation, political pressure, licensing boards, informal blacklists. The point is less “America is strict” than “broadcast culture is regulated culture,” full stop.
Context matters: “on TV” is doing heavy lifting because television, unlike a club show or a record, arrives through licensed public airwaves and mass-market distribution. That brings a different kind of vulnerability: moral panic scales, reputational risk is immediate, and the punishment is often bureaucratic rather than dramatic - fines, pulled ads, lost slots, self-censorship disguised as “standards.”
Rowntree’s intent feels corrective. Not a rant, a reality check: if you want to understand what makes it to screens, follow the rules that never appear in the credits.
Quote Details
| Topic | Freedom |
|---|---|
| Source | Help us find the source |
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