"There are persons who, when they cease to shock us, cease to interest us"
About this Quote
Interest, Bradley suggests, is not a polite appraisal; it is a nervous system response. The line has the cool cruelty of a philosophical diagnosis: some people function as stimulus. When their provocations stop, the social electricity goes out, and we realize we weren’t drawn to their mind or character so much as to the disturbance they caused in us.
Bradley was writing in a late-Victorian world that prized decorum while quietly feeding on transgression. “Shock” here isn’t merely scandal; it’s the jolt that breaks routine perception. The person who shocks becomes a kind of living argument against complacency, forcing an audience to notice its own habits and taboos. That’s the subtext: our fascination is often less about them than about us - our appetite for disruption, our boredom with the ordinary, our reliance on extremes to feel awake.
The sentence is also a sly warning about the market value of personality. If someone’s social role is to surprise, they can’t retire into normalcy without becoming invisible. Today we’d call it the logic of the feed: outrage and novelty as the engines of attention, with “interest” revealed as conditional and transactional.
Bradley’s phrasing makes it sting. “Cease to shock” lands like a loss of power; “cease to interest” lands like a dismissal. The repetition of “cease” gives the thought a grim inevitability, as if attention isn’t a virtue but a fickle reflex - and as if being loved for your shocks is a kind of trap.
Bradley was writing in a late-Victorian world that prized decorum while quietly feeding on transgression. “Shock” here isn’t merely scandal; it’s the jolt that breaks routine perception. The person who shocks becomes a kind of living argument against complacency, forcing an audience to notice its own habits and taboos. That’s the subtext: our fascination is often less about them than about us - our appetite for disruption, our boredom with the ordinary, our reliance on extremes to feel awake.
The sentence is also a sly warning about the market value of personality. If someone’s social role is to surprise, they can’t retire into normalcy without becoming invisible. Today we’d call it the logic of the feed: outrage and novelty as the engines of attention, with “interest” revealed as conditional and transactional.
Bradley’s phrasing makes it sting. “Cease to shock” lands like a loss of power; “cease to interest” lands like a dismissal. The repetition of “cease” gives the thought a grim inevitability, as if attention isn’t a virtue but a fickle reflex - and as if being loved for your shocks is a kind of trap.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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