"There are some people who have the quality of richness and joy in them and they communicate it to everything they touch. It is first of all a physical quality; then it is a quality of the spirit"
About this Quote
Wolfe is praising charisma, but he does it in a way that betrays his lifelong obsession with surfaces as moral evidence. “Richness and joy” aren’t presented as ideas someone holds; they’re treated like a transmissible force, almost a contagion, “communicat[ed] to everything they touch.” That verb is doing a lot of work. It frames personality as media: an aura that edits rooms, brightens exchanges, makes even objects and routines feel newly saturated. In Wolfe’s world, style isn’t decoration; it’s proof of life.
The sly provocation is the ordering: “first of all a physical quality; then… the spirit.” Wolfe flips the comforting hierarchy that puts the soul in charge and the body as its clumsy messenger. He suggests the body leads and the spirit follows, as if joy is first read in posture, energy, voice, appetite, the way someone occupies space. It’s an argument against purely interior virtue. If the joy can’t be seen, doesn’t alter the air, Wolfe implies it might be sentimentality or self-regard masquerading as depth.
Context matters because Wolfe made a career out of watching how Americans perform class, confidence, and longing in public. New Journalism taught readers to treat small gestures as cultural data. This line fits that method: he’s cataloging an elite trait, not wealth but “richness,” a kind of embodied abundance that upgrades the social scene. It’s admiration with a reporter’s edge: even joy, he hints, is a form of power.
The sly provocation is the ordering: “first of all a physical quality; then… the spirit.” Wolfe flips the comforting hierarchy that puts the soul in charge and the body as its clumsy messenger. He suggests the body leads and the spirit follows, as if joy is first read in posture, energy, voice, appetite, the way someone occupies space. It’s an argument against purely interior virtue. If the joy can’t be seen, doesn’t alter the air, Wolfe implies it might be sentimentality or self-regard masquerading as depth.
Context matters because Wolfe made a career out of watching how Americans perform class, confidence, and longing in public. New Journalism taught readers to treat small gestures as cultural data. This line fits that method: he’s cataloging an elite trait, not wealth but “richness,” a kind of embodied abundance that upgrades the social scene. It’s admiration with a reporter’s edge: even joy, he hints, is a form of power.
Quote Details
| Topic | Joy |
|---|---|
| Source | Help us find the source |
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