"There are two kinds of artists in this world; those that work because the spirit is in them, and they cannot be silent if they would, and those that speak from a conscientious desire to make apparent to others the beauty that has awakened their own admiration"
About this Quote
Green draws a tidy moral taxonomy and then quietly reveals what she values: not the noisy compulsion to create, but the artist as witness and translator. Her “two kinds” aren’t really equal categories; they’re a litmus test for motive. The first type works because “the spirit is in them,” a phrase that flatters the romantic myth of the artist as possessed instrument. But Green’s wording is edged with restraint: “cannot be silent if they would” frames expression as involuntary, almost helpless. It’s a glamorized surrender.
The second type “speaks from a conscientious desire” to make beauty “apparent” to others. That’s the tell. Conscientiousness suggests duty, craft, and social orientation. Art isn’t just self-relief; it’s an ethical act of communication. The subtext is corrective: inspiration alone is insufficient, maybe even suspect, unless it’s coupled to responsibility toward an audience. Green, writing in an era when women’s authorship was frequently boxed into sentiment or “natural” intuition, elevates deliberateness as a virtue rather than a deficit. She’s staking a claim for intention and clarity over mystique.
Context matters: Green was a pioneering detective novelist, a genre built less on divine transport than on structure, evidence, and making hidden patterns legible. “Make apparent” could double as her artistic manifesto for plot itself: the work that turns private perception into public recognition. Beauty here isn’t merely aesthetic; it’s the satisfying click of understanding, offered with care.
The second type “speaks from a conscientious desire” to make beauty “apparent” to others. That’s the tell. Conscientiousness suggests duty, craft, and social orientation. Art isn’t just self-relief; it’s an ethical act of communication. The subtext is corrective: inspiration alone is insufficient, maybe even suspect, unless it’s coupled to responsibility toward an audience. Green, writing in an era when women’s authorship was frequently boxed into sentiment or “natural” intuition, elevates deliberateness as a virtue rather than a deficit. She’s staking a claim for intention and clarity over mystique.
Context matters: Green was a pioneering detective novelist, a genre built less on divine transport than on structure, evidence, and making hidden patterns legible. “Make apparent” could double as her artistic manifesto for plot itself: the work that turns private perception into public recognition. Beauty here isn’t merely aesthetic; it’s the satisfying click of understanding, offered with care.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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