"There are two kinds of artists left: those who endorse Pepsi and those who simply won t"
About this Quote
Lennox lands the joke with a shrugging brutality: in a culture where every surface can be monetized, the only remaining distinction between artists is whether they’ll cash the check. The line is funny because it’s framed as taxonomy, a neat little field guide to creativity, then immediately collapses into something depressing: branding as destiny. “Left” does heavy lifting here, suggesting attrition. Not two kinds of artists, but two kinds left after the industry has skimmed off everyone who couldn’t be converted into a “partner.”
The Pepsi name matters. It’s not an abstract “corporate sponsorship” bogeyman; it’s the most generic, omnipresent shorthand for consumer capitalism, the kind of product you encounter everywhere and think about almost never. Lennox is pointing at that banality: the endorsement machine doesn’t just recruit you into selling something; it recruits you into selling nothing in particular, a lifestyle vibe with a logo.
There’s also a sly tell in the phrasing “simply won’t.” It paints refusal not as heroic purity but as a baseline human boundary, the bare minimum of selfhood. That’s the sting: we’ve gotten so used to the expectation of sellout that saying no becomes a personality type.
Coming from a musician who navigated peak MTV, stadium-scale pop, and the era when stars became campaigns, it reads like lived fatigue. The subtext isn’t anti-commerce so much as anti-inescapability: when art is expected to be content, and content expected to be a funnel, the artist’s last creative choice might be whether their name sits next to a soda.
The Pepsi name matters. It’s not an abstract “corporate sponsorship” bogeyman; it’s the most generic, omnipresent shorthand for consumer capitalism, the kind of product you encounter everywhere and think about almost never. Lennox is pointing at that banality: the endorsement machine doesn’t just recruit you into selling something; it recruits you into selling nothing in particular, a lifestyle vibe with a logo.
There’s also a sly tell in the phrasing “simply won’t.” It paints refusal not as heroic purity but as a baseline human boundary, the bare minimum of selfhood. That’s the sting: we’ve gotten so used to the expectation of sellout that saying no becomes a personality type.
Coming from a musician who navigated peak MTV, stadium-scale pop, and the era when stars became campaigns, it reads like lived fatigue. The subtext isn’t anti-commerce so much as anti-inescapability: when art is expected to be content, and content expected to be a funnel, the artist’s last creative choice might be whether their name sits next to a soda.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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