"There are two reasons why I'm in show business, and I'm standing on both of them"
About this Quote
The subtext is a tightrope walk between agency and constraint. Grable is admitting that Hollywood’s machinery is built to monetize women’s physicality, especially in the 1940s studio era when stars were packaged like products and publicity departments wrote entire lives into existence. But by making the line hers, she converts objectification into performance: the body isn’t merely looked at, it speaks. That twist matters. It’s a flirtation with the audience’s complicity, a wink that says: you came for the legs, fine, but I’m still the one delivering the line.
Context sharpens the edge. Grable’s persona wasn’t just sex appeal; it was wartime morale, Technicolor musicals, and an approachable glamour that let soldiers and civilians fantasize without feeling scolded. The quip captures that cultural bargain: America gets an icon; the icon gets a career - and both pretend it’s all effortless, all in good fun, even when the economics underneath are anything but.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Grable, Betty. (2026, January 16). There are two reasons why I'm in show business, and I'm standing on both of them. FixQuotes. https://fixquotes.com/quotes/there-are-two-reasons-why-im-in-show-business-and-119320/
Chicago Style
Grable, Betty. "There are two reasons why I'm in show business, and I'm standing on both of them." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/there-are-two-reasons-why-im-in-show-business-and-119320/.
MLA Style (9th ed.)
"There are two reasons why I'm in show business, and I'm standing on both of them." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/there-are-two-reasons-why-im-in-show-business-and-119320/. Accessed 16 Feb. 2026.
