"There has been the biggest black cloud following me around. People believe it's all my fault that Steve is not here. He has always had an open door, and he doesn't choose to do this any more"
About this Quote
A rock band breakup rarely stays in the rehearsal room; it metastasizes into a public trial with fans as jury. Neal Schon frames his situation as exactly that: a “biggest black cloud” of blame that won’t lift, suggesting not just bad press but a kind of moral suspicion hanging over him. The language is emotional, not strategic, which is precisely the strategy. “Cloud” casts him as weathered rather than willful, someone acted upon by forces and perceptions he can’t control.
The subtext is a tug-of-war over narrative ownership. “People believe it’s all my fault” doesn’t deny there’s a conflict; it denies the assignment of culpability. Schon is speaking to an audience that thinks it knows the inside story because it has read headlines, watched interviews, and picked sides. By invoking “people” (not bandmates, not management), he targets the court of public opinion and tries to relocate the fight from interpersonal dynamics to mythmaking.
Then he pivots to Steve Perry, the absent center of Journey’s legend. “He has always had an open door” is a reputational shield: we wanted him, we made space, we weren’t the gatekeepers. “He doesn’t choose to do this any more” lands as both respect and indictment. It honors Perry’s autonomy while quietly insisting the loss is his decision, not Schon's. In a band whose catalog is basically engineered to soundtrack longing, Schon is selling a familiar emotion: abandonment, with plausible deniability.
The subtext is a tug-of-war over narrative ownership. “People believe it’s all my fault” doesn’t deny there’s a conflict; it denies the assignment of culpability. Schon is speaking to an audience that thinks it knows the inside story because it has read headlines, watched interviews, and picked sides. By invoking “people” (not bandmates, not management), he targets the court of public opinion and tries to relocate the fight from interpersonal dynamics to mythmaking.
Then he pivots to Steve Perry, the absent center of Journey’s legend. “He has always had an open door” is a reputational shield: we wanted him, we made space, we weren’t the gatekeepers. “He doesn’t choose to do this any more” lands as both respect and indictment. It honors Perry’s autonomy while quietly insisting the loss is his decision, not Schon's. In a band whose catalog is basically engineered to soundtrack longing, Schon is selling a familiar emotion: abandonment, with plausible deniability.
Quote Details
| Topic | Broken Friendship |
|---|---|
| Source | Help us find the source |
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