"There have been plenty of very bare hotels with couples humping next door. I don't stay in very grand hotels"
About this Quote
Honor Blackman delivers this like a martini that’s mostly gin: bracing, dry, and faintly scandalous. The line does two things at once. On the surface it’s a deadpan travel anecdote about thin walls and unglamorous accommodations. Underneath, it’s a sly demolition of the myth that famous actresses live in a permanent penthouse suite, sealed off from ordinary noise, ordinary bodies, ordinary life.
The phrase “very bare hotels” is doing quiet class work. It signals austerity without self-pity, a refusal to perform celebrity delicacy. Then she drops “couples humping next door,” blunt, unpoetic, and intentionally unvarnished. That choice isn’t just for shock; it’s a control move. Blackman, who spent a career being framed through male desire (most iconically as Pussy Galore), flips the script by naming sex in language that denies fantasy. “Humping” is physical, slightly ridiculous, more human than erotic. It punctures glamour.
“I don’t stay in very grand hotels” lands as both self-description and rebuke. It suggests a performer who knows how easily luxury becomes a kind of soft cage: privacy bought at the cost of insulation from real texture. The context is mid-to-late 20th century stardom, where women were expected to be simultaneously respectable and decorative. Blackman’s intent is to sound unbothered, even amused, while staking ownership over her own narrative: she’s not above the mess, and she’s not going to pretend she is.
The phrase “very bare hotels” is doing quiet class work. It signals austerity without self-pity, a refusal to perform celebrity delicacy. Then she drops “couples humping next door,” blunt, unpoetic, and intentionally unvarnished. That choice isn’t just for shock; it’s a control move. Blackman, who spent a career being framed through male desire (most iconically as Pussy Galore), flips the script by naming sex in language that denies fantasy. “Humping” is physical, slightly ridiculous, more human than erotic. It punctures glamour.
“I don’t stay in very grand hotels” lands as both self-description and rebuke. It suggests a performer who knows how easily luxury becomes a kind of soft cage: privacy bought at the cost of insulation from real texture. The context is mid-to-late 20th century stardom, where women were expected to be simultaneously respectable and decorative. Blackman’s intent is to sound unbothered, even amused, while staking ownership over her own narrative: she’s not above the mess, and she’s not going to pretend she is.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
More Quotes by Honor
Add to List








