"There is a boundary to men's passions when they act from feelings; but none when they are under the influence of imagination"
About this Quote
Burke is warning that the most dangerous political fuel isn’t raw emotion; it’s emotion plus a story. Feelings, for him, are finite and self-limiting: grief burns out, anger cools, fear looks for an exit. Imagination, by contrast, can keep stoking the fire, supplying fresh villains, new affronts, and grander moral dramas long after the original trigger has faded. That’s the boundary line he’s drawing: passions rooted in lived experience eventually meet reality; passions inflated by imagery and abstraction can become bottomless.
The subtext is unmistakably counterrevolutionary. Writing in the shadow of the French Revolution, Burke watched politics pivot from concrete grievances to theatrical ideals: “the People,” “virtue,” “liberty,” “the nation,” purified into slogans that could justify anything. Once politics becomes a stage for moral fantasy, cruelty can be reframed as necessity, even mercy. Imagination makes the guillotine feel like housekeeping.
As a statesman, Burke isn’t sneering at creativity; he’s diagnosing a mechanism of mass persuasion. Imagination turns politics into literature: characters, plots, destiny. It invites people to act not just for interest, but for meaning. That’s potent and volatile. He’s also quietly flattering his audience’s prudence: trust habits, institutions, and incremental reform, because they tether passion to consequences.
The line still lands because it describes a modern feedback loop: media ecosystems that don’t merely report events but supply ever-expanding narratives around them. Feelings spike; imagination sustains. Burke’s insight is that unlimited passion isn’t spontaneous - it’s curated.
The subtext is unmistakably counterrevolutionary. Writing in the shadow of the French Revolution, Burke watched politics pivot from concrete grievances to theatrical ideals: “the People,” “virtue,” “liberty,” “the nation,” purified into slogans that could justify anything. Once politics becomes a stage for moral fantasy, cruelty can be reframed as necessity, even mercy. Imagination makes the guillotine feel like housekeeping.
As a statesman, Burke isn’t sneering at creativity; he’s diagnosing a mechanism of mass persuasion. Imagination turns politics into literature: characters, plots, destiny. It invites people to act not just for interest, but for meaning. That’s potent and volatile. He’s also quietly flattering his audience’s prudence: trust habits, institutions, and incremental reform, because they tether passion to consequences.
The line still lands because it describes a modern feedback loop: media ecosystems that don’t merely report events but supply ever-expanding narratives around them. Feelings spike; imagination sustains. Burke’s insight is that unlimited passion isn’t spontaneous - it’s curated.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Edmund Burke, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757). |
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