"There is a cultural factor promoting violence which nowadays undoubtedly is highly effective is the mass media. And particularly everything that enters our minds through pictorial media"
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Myrdal is doing something canny here: she frames violence less as an individual moral failure and more as an environmental exposure, the kind a diplomat or policy architect thinks in. The syntax is almost bureaucratically plain, but the claim has teeth. “Cultural factor” sounds neutral, even clinical, until she pins down what’s “highly effective”: mass media. That phrase smuggles in a public-health logic, implying a vector, a contagion, a preventable risk. Violence isn’t just chosen; it’s cultivated.
Her emphasis on “pictorial media” matters. Myrdal isn’t worried about argument or ideology in the abstract; she’s worried about images as a delivery system. Pictures bypass deliberation. They lodge in memory, normalize what they repeat, and train attention toward spectacle. The subtext is that modern persuasion is less about being convinced than being conditioned. If you can govern what people see, you can quietly govern what they feel is plausible, thrilling, or inevitable.
Context sharpens the intent. Myrdal came of age in a century where propaganda, film, and later television were not side shows but instruments of mass mobilization. As a Swedish diplomat and disarmament advocate, she would have watched states and industries learn to sell conflict, heroism, and dominance as entertainment or destiny. Her warning isn’t a scold against “the media” in general; it’s an early diagnosis of the attention economy’s moral hazard: when violence becomes visual wallpaper, restraint starts to look unnatural, even naive.
Her emphasis on “pictorial media” matters. Myrdal isn’t worried about argument or ideology in the abstract; she’s worried about images as a delivery system. Pictures bypass deliberation. They lodge in memory, normalize what they repeat, and train attention toward spectacle. The subtext is that modern persuasion is less about being convinced than being conditioned. If you can govern what people see, you can quietly govern what they feel is plausible, thrilling, or inevitable.
Context sharpens the intent. Myrdal came of age in a century where propaganda, film, and later television were not side shows but instruments of mass mobilization. As a Swedish diplomat and disarmament advocate, she would have watched states and industries learn to sell conflict, heroism, and dominance as entertainment or destiny. Her warning isn’t a scold against “the media” in general; it’s an early diagnosis of the attention economy’s moral hazard: when violence becomes visual wallpaper, restraint starts to look unnatural, even naive.
Quote Details
| Topic | Peace |
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