"There is a growing strength in women but it's in the forehead, not the forearm"
About this Quote
Beverly Sills lands a compliment with a barb, and she knows exactly where to place it: on the body. In one sentence she nods to feminism’s momentum while refusing the lazy shorthand that strength must look like muscle. “Forehead” isn’t just intellect; it’s also the part you wrinkle from concentration, the place that meets resistance first. She’s praising endurance of a particular kind: strategic, managerial, psychological. For a woman who rose through an industry that sold voices but ran on gatekeepers, that distinction isn’t abstract. Opera valorizes the forearm onstage (heroic gestures, grand suffering) while backstage it rewards the forehead: memorization, languages, career calculation, and the ability to navigate patronage, press, and politics without being called “difficult.”
The subtext is double-edged. Sills is pushing back on caricatures of women’s liberation as a bid to imitate men physically, but she’s also smuggling in a critique of the way women are permitted power: be brilliant, not threatening; lead, but do it with poise, not force. It’s a line that flatters women’s intelligence while revealing the narrow corridor they’re often forced to walk.
There’s also generational savvy here. Coming of age mid-century, Sills watched “strong woman” get treated as novelty or punchline. Her phrasing turns that into a quiet boast: the revolution isn’t arm-wrestling; it’s out-thinking the room, then taking the room anyway.
The subtext is double-edged. Sills is pushing back on caricatures of women’s liberation as a bid to imitate men physically, but she’s also smuggling in a critique of the way women are permitted power: be brilliant, not threatening; lead, but do it with poise, not force. It’s a line that flatters women’s intelligence while revealing the narrow corridor they’re often forced to walk.
There’s also generational savvy here. Coming of age mid-century, Sills watched “strong woman” get treated as novelty or punchline. Her phrasing turns that into a quiet boast: the revolution isn’t arm-wrestling; it’s out-thinking the room, then taking the room anyway.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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