"There is a lovable quality about the actual tools. One feels so kindly to the thing that enables the hand to obey the brain. Moreover, one feels a good deal of respect for it; without it the brain and the hand would be helpless"
About this Quote
Jekyll turns the humble tool into a quiet protagonist: not just an instrument, but a collaborator that makes human intention legible in the world. The charm of the passage is how it smuggles tenderness into a sentence about mechanics. “Lovable” and “kindly” are words we reserve for pets, friends, maybe heirlooms. Applying them to tools reframes craft as a relationship, not a transaction. The tool is where thought stops being abstract and becomes accountable.
Her phrasing also stages an elegant power triangle: brain, hand, tool. Modern culture likes to glamorize either the mind (genius) or the body (hustle), but Jekyll insists on the mediator. “Enables the hand to obey the brain” sounds almost military, yet her emotional tone softens it, suggesting that obedience isn’t domination but coordination. The subtext is anti-romantic in a useful way: talent alone doesn’t “express itself.” It needs a well-made object with its own logic, limits, and feedback.
Context matters. Jekyll wasn’t a celebrity in the pop sense; she was famous for taste and expertise in an era when domestic arts and garden design were both gendered and undervalued. This reads like a defense of skilled making as intelligence, and of tools as a kind of democratized power: they let ordinary bodies do extraordinary things. The respect she asks for is also a rebuke to careless consumption. If you treat tools as disposable, you treat the work - and the worker - as disposable too.
Her phrasing also stages an elegant power triangle: brain, hand, tool. Modern culture likes to glamorize either the mind (genius) or the body (hustle), but Jekyll insists on the mediator. “Enables the hand to obey the brain” sounds almost military, yet her emotional tone softens it, suggesting that obedience isn’t domination but coordination. The subtext is anti-romantic in a useful way: talent alone doesn’t “express itself.” It needs a well-made object with its own logic, limits, and feedback.
Context matters. Jekyll wasn’t a celebrity in the pop sense; she was famous for taste and expertise in an era when domestic arts and garden design were both gendered and undervalued. This reads like a defense of skilled making as intelligence, and of tools as a kind of democratized power: they let ordinary bodies do extraordinary things. The respect she asks for is also a rebuke to careless consumption. If you treat tools as disposable, you treat the work - and the worker - as disposable too.
Quote Details
| Topic | Work Ethic |
|---|---|
| Source | Help us find the source |
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