"There is a woman at the begining of all great things"
About this Quote
Lamartine’s line flatters and confines in the same breath: it crowns “woman” as origin-myth while quietly denying her the status of author. “At the beginning” casts women as the spark, the muse, the moral atmosphere - the condition that makes greatness possible - but not necessarily the mind that plans it or the hand that signs it. The grammar matters. “There is a woman” sounds incidental, almost like scenery you notice after the hero has already entered frame. Greatness remains a public, presumably masculine accomplishment; the woman is positioned as its private prehistory.
That’s not an accident of phrasing so much as a Romantic-era habit. Lamartine wrote in a cultural moment that adored inspiration, sentiment, and the sanctifying power of domestic virtue. Women were elevated as symbols: purity, sacrifice, conscience, the “angel in the house” before the phrase became a target. The compliment works because it’s legible to a society comfortable with keeping women near the source of meaning while keeping them away from formal power.
The subtext is a trade: women receive reverence in exchange for invisibility. It’s a line built to sound progressive without threatening the hierarchy that decides what counts as “great things” in the first place. Read today, it lands as both recognition and erasure - a neat, lyrical way to admit dependence while preserving credit. The woman becomes a beginning, not an ending; origin, not outcome.
That’s not an accident of phrasing so much as a Romantic-era habit. Lamartine wrote in a cultural moment that adored inspiration, sentiment, and the sanctifying power of domestic virtue. Women were elevated as symbols: purity, sacrifice, conscience, the “angel in the house” before the phrase became a target. The compliment works because it’s legible to a society comfortable with keeping women near the source of meaning while keeping them away from formal power.
The subtext is a trade: women receive reverence in exchange for invisibility. It’s a line built to sound progressive without threatening the hierarchy that decides what counts as “great things” in the first place. Read today, it lands as both recognition and erasure - a neat, lyrical way to admit dependence while preserving credit. The woman becomes a beginning, not an ending; origin, not outcome.
Quote Details
| Topic | Mother |
|---|---|
| Source | Help us find the source |
More Quotes by Alphonse
Add to List










