"There is another interesting paradox here: by immersing ourselves in what we love, we find ourselves. We do not lose ourselves. One does not lose one's identity by falling in love"
About this Quote
Lukas Foss turns a common fear on its head. Immersion is often mistaken for erasure, as if dedicating oneself to a person, an art, or a calling dissolves individuality. He argues the opposite: the deepest commitments strip away pretense and distraction, revealing a truer self. Love, in this sense, is not absorption into another but alignment with what matters most. When attention is wholehearted, identity sharpens rather than blurs.
Foss came to this insight as a composer, conductor, and collaborator who moved between traditions and experiments. A performer surrenders to the score yet the act of surrender becomes unmistakably personal. Two pianists can play the same piece faithfully and sound utterly different, not because they assert ego over the music, but because devotion to the music draws out their voice. The paradox is that fidelity yields individuality.
Psychology echoes this artistic truth. In states of flow, the anxious self-consciousness quiets, and action and awareness merge. That quiet is not annihilation; it is a clearing where character, taste, and capacity can show themselves. Romantic love can work similarly. The self does not shrink; it expands to include new perspectives, responsibilities, and joys. Healthy love sets stronger boundaries by clarifying what one values and what one will protect.
Modern culture prizes self-definition, sometimes reducing identity to a brand to be guarded from outside influence. Foss suggests a more organic path. We become ourselves by giving ourselves, wisely, to what we love. The dangers he implicitly rejects are fusion and dependency, where one abandons agency. Real love is not self-forgetfulness that lasts forever; it is self-forgetfulness in service of discovery. The mirror it holds up is warmer and more exacting than solitary introspection. In that mirror, the contours of a life come into focus.
Foss came to this insight as a composer, conductor, and collaborator who moved between traditions and experiments. A performer surrenders to the score yet the act of surrender becomes unmistakably personal. Two pianists can play the same piece faithfully and sound utterly different, not because they assert ego over the music, but because devotion to the music draws out their voice. The paradox is that fidelity yields individuality.
Psychology echoes this artistic truth. In states of flow, the anxious self-consciousness quiets, and action and awareness merge. That quiet is not annihilation; it is a clearing where character, taste, and capacity can show themselves. Romantic love can work similarly. The self does not shrink; it expands to include new perspectives, responsibilities, and joys. Healthy love sets stronger boundaries by clarifying what one values and what one will protect.
Modern culture prizes self-definition, sometimes reducing identity to a brand to be guarded from outside influence. Foss suggests a more organic path. We become ourselves by giving ourselves, wisely, to what we love. The dangers he implicitly rejects are fusion and dependency, where one abandons agency. Real love is not self-forgetfulness that lasts forever; it is self-forgetfulness in service of discovery. The mirror it holds up is warmer and more exacting than solitary introspection. In that mirror, the contours of a life come into focus.
Quote Details
| Topic | Love |
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