"There is no consensus even today on the merits of Napoleon - and certainly no agreement on the rights and wrongs of the origins of the First World War"
About this Quote
History’s most dangerous export isn’t certainty; it’s the demand for a verdict. Douglas Hurd, a politician trained in the realities of power and the fragility of alliances, reaches for two seemingly obvious reference points - Napoleon and the First World War - only to underline how stubbornly they resist moral bookkeeping. The line is doing a very political kind of work: lowering the temperature of judgment while reminding the audience that even the “settled” past is still litigated.
Napoleon is the perfect stress test. He can be packaged as the Enlightenment’s engine (law codes, administrative rationality) or as Europe’s arsonist (conquest, mass death, authoritarian reflex). Hurd’s “no consensus” isn’t mere historiography; it’s a warning about how nations curate heroes and villains to suit present needs. If Napoleon can’t be pinned down, then anyone can be rebranded.
The First World War reference sharpens the blade. “Origins” is the most contested word in that century’s political vocabulary, because assigning blame isn’t an academic exercise - it’s a proxy for reparations, borders, legitimacy, and the story Europe tells about itself. Hurd’s phrasing, “rights and wrongs,” signals the trap: once you turn causation into morality, you start looking for a single guilty party and a single innocent one, exactly the simplification that makes future miscalculations easier.
The subtext is pragmatic and chastening: policy built on tidy historical analogies is usually policy built on fantasy.
Napoleon is the perfect stress test. He can be packaged as the Enlightenment’s engine (law codes, administrative rationality) or as Europe’s arsonist (conquest, mass death, authoritarian reflex). Hurd’s “no consensus” isn’t mere historiography; it’s a warning about how nations curate heroes and villains to suit present needs. If Napoleon can’t be pinned down, then anyone can be rebranded.
The First World War reference sharpens the blade. “Origins” is the most contested word in that century’s political vocabulary, because assigning blame isn’t an academic exercise - it’s a proxy for reparations, borders, legitimacy, and the story Europe tells about itself. Hurd’s phrasing, “rights and wrongs,” signals the trap: once you turn causation into morality, you start looking for a single guilty party and a single innocent one, exactly the simplification that makes future miscalculations easier.
The subtext is pragmatic and chastening: policy built on tidy historical analogies is usually policy built on fantasy.
Quote Details
| Topic | War |
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